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CBSE Class 12EnglishQuestions & AnswersChapter level

Memories of Childhood Questions & Answers | Class 12 English | CBSE NCERT

Chapter-wise questions and answers for Memories of Childhood in Class 12 English, with a clear summary, key points, and exam-ready model answers.

What you will find on this page: a clear chapter summary, revision notes, word meanings, important questions, MCQs, and exam-ready question answers for Class 12 English.

After reviewing the chapter explanation, answer the short-answer, long-answer, extract-based, and objective questions below.

About 256 min readMemories of ChildhoodUpdated 29 Sep 2026

Questions and answers

1 marks · mcq

1. Q1. The phrase 'land of apples' is used by the narrator to refer to (a) an orchard where she used to play (b) the Carlisle Indian school and its cold, unfamiliar setting (c) her mother's village (d) a fruit farm in Dakota

The first day in the land of apples was a bitter-cold one; for the snow still covered the ground, and the trees were bare. A large bell rang for breakfast, its loud metallic voice crashing through the belfry overhead and into our sensitive ears. The annoying clatter of shoes on bare floors gave us no peace. The constant clash of harsh noises, with an undercurrent of many voices murmuring an unknown tongue, made a bedlam within which I was securely tied. And though my spirit tore itself in struggling for its lost freedom, all was useless.
Show answer

Correct option: (b). The phrase is used ironically for the cold, strange school where she felt trapped and lost her freedom.

1 marks · mcq

2. Q2. The noises described — the metallic bell, the clatter of shoes, the murmuring of an unknown tongue — together made 'a bedlam'. The word 'bedlam' means (a) a soft music (b) a scene of uproar and confusion (c) a bed room (d) a place of prayer

The first day in the land of apples was a bitter-cold one; for the snow still covered the ground, and the trees were bare. A large bell rang for breakfast, its loud metallic voice crashing through the belfry overhead and into our sensitive ears. The annoying clatter of shoes on bare floors gave us no peace. The constant clash of harsh noises, with an undercurrent of many voices murmuring an unknown tongue, made a bedlam within which I was securely tied. And though my spirit tore itself in struggling for its lost freedom, all was useless.
Show answer

Correct option: (b). 'Bedlam' means a scene of wild noise and confusion.

1 marks · mcq

3. Q3. 'A large bell rang for breakfast, its loud metallic voice crashing through the belfry overhead.' The phrase 'metallic voice' is an example of (a) simile (b) metaphor / personification (c) hyperbole (d) pun

The first day in the land of apples was a bitter-cold one; for the snow still covered the ground, and the trees were bare. A large bell rang for breakfast, its loud metallic voice crashing through the belfry overhead and into our sensitive ears. The annoying clatter of shoes on bare floors gave us no peace. The constant clash of harsh noises, with an undercurrent of many voices murmuring an unknown tongue, made a bedlam within which I was securely tied. And though my spirit tore itself in struggling for its lost freedom, all was useless.
Show answer

Correct option: (b). The bell is given a 'voice' that 'crashes', personifying it as harsh and aggressive.

1 marks · mcq

4. Q4. 'Though my spirit tore itself in struggling for its lost freedom, all was useless.' The line reveals the narrator's (a) excitement at school life (b) inner struggle and helpless longing for freedom (c) love of bells (d) hatred of apples

The first day in the land of apples was a bitter-cold one; for the snow still covered the ground, and the trees were bare. A large bell rang for breakfast, its loud metallic voice crashing through the belfry overhead and into our sensitive ears. The annoying clatter of shoes on bare floors gave us no peace. The constant clash of harsh noises, with an undercurrent of many voices murmuring an unknown tongue, made a bedlam within which I was securely tied. And though my spirit tore itself in struggling for its lost freedom, all was useless.
Show answer

Correct option: (b). Her spirit fights against captivity, but every effort is in vain.

1 marks · mcq

5. Q5. The expression 'I was securely tied' within the bedlam suggests that the narrator felt (a) safe and protected (b) trapped, like a prisoner in the noisy school (c) warmly dressed (d) tied to her friends

The first day in the land of apples was a bitter-cold one; for the snow still covered the ground, and the trees were bare. A large bell rang for breakfast, its loud metallic voice crashing through the belfry overhead and into our sensitive ears. The annoying clatter of shoes on bare floors gave us no peace. The constant clash of harsh noises, with an undercurrent of many voices murmuring an unknown tongue, made a bedlam within which I was securely tied. And though my spirit tore itself in struggling for its lost freedom, all was useless.
Show answer

Correct option: (b). The image is of a bound captive, not a comfortable child.

1 marks · mcq

6. Q6. The tone of this extract can best be described as (a) cheerful and playful (b) bitter and anguished (c) neutral and factual (d) humorous and light

The first day in the land of apples was a bitter-cold one; for the snow still covered the ground, and the trees were bare. A large bell rang for breakfast, its loud metallic voice crashing through the belfry overhead and into our sensitive ears. The annoying clatter of shoes on bare floors gave us no peace. The constant clash of harsh noises, with an undercurrent of many voices murmuring an unknown tongue, made a bedlam within which I was securely tied. And though my spirit tore itself in struggling for its lost freedom, all was useless.
Show answer

Correct option: (b). Words like 'bitter-cold', 'annoying', 'bedlam' and 'useless' convey anguish and resentment.

1 marks · mcq

7. Q1. Zitkala-Sa felt 'like sinking to the floor' because (a) she was tired from marching (b) her blanket had been stripped from her shoulders and she felt immodestly dressed (c) the floor was cold (d) she was afraid of the paleface woman

A paleface woman, with white hair, came up after us. We were placed in a line of girls who were marching into the dining room. These were Indian girls, in stiff shoes and closely clinging dresses. The small girls wore sleeved aprons and shingled hair. As I walked noiselessly in my soft moccasins, I felt like sinking to the floor, for my blanket had been stripped from my shoulders. I looked hard at the Indian girls, who seemed not to care that they were even more immodestly dressed than I, in their tightly fitting clothes.
Show answer

Correct option: (b). In her culture, being without her blanket made her feel shamefully exposed.

1 marks · mcq

8. Q2. The Indian girls at the school wore 'stiff shoes and closely clinging dresses' and 'shingled hair'. These details show that the school (a) respected Native customs (b) systematically stripped away every mark of the children's Native identity (c) was very poor (d) loved modern fashion

A paleface woman, with white hair, came up after us. We were placed in a line of girls who were marching into the dining room. These were Indian girls, in stiff shoes and closely clinging dresses. The small girls wore sleeved aprons and shingled hair. As I walked noiselessly in my soft moccasins, I felt like sinking to the floor, for my blanket had been stripped from my shoulders. I looked hard at the Indian girls, who seemed not to care that they were even more immodestly dressed than I, in their tightly fitting clothes.
Show answer

Correct option: (b). Traditional dress and soft moccasins had been replaced by stiff, tight clothes and cropped hair.

1 marks · mcq

9. Q3. The narrator walked 'noiselessly' because she wore (a) boots (b) soft moccasins (c) no clothes (d) new leather shoes

A paleface woman, with white hair, came up after us. We were placed in a line of girls who were marching into the dining room. These were Indian girls, in stiff shoes and closely clinging dresses. The small girls wore sleeved aprons and shingled hair. As I walked noiselessly in my soft moccasins, I felt like sinking to the floor, for my blanket had been stripped from my shoulders. I looked hard at the Indian girls, who seemed not to care that they were even more immodestly dressed than I, in their tightly fitting clothes.
Show answer

Correct option: (b). Her soft moccasins, not yet exchanged for shoes, made her steps soundless.

1 marks · mcq

10. Q4. The irony noticed by the narrator was that (a) the paleface woman had white hair (b) the Indian girls, tightly dressed, seemed not to care though they were 'even more immodestly dressed' than she (c) the girls were marching (d) breakfast was late

A paleface woman, with white hair, came up after us. We were placed in a line of girls who were marching into the dining room. These were Indian girls, in stiff shoes and closely clinging dresses. The small girls wore sleeved aprons and shingled hair. As I walked noiselessly in my soft moccasins, I felt like sinking to the floor, for my blanket had been stripped from my shoulders. I looked hard at the Indian girls, who seemed not to care that they were even more immodestly dressed than I, in their tightly fitting clothes.
Show answer

Correct option: (b). The school that claimed to civilise the children imposed a dress code that violated her people's standards of modesty.

1 marks · mcq

11. Q5. 'A paleface woman, with white hair, came up after us.' The pronoun 'us' refers to (a) Zitkala-Sa and the three young braves (b) the teachers (c) all the white girls (d) the narrator and the paleface woman

A paleface woman, with white hair, came up after us. We were placed in a line of girls who were marching into the dining room. These were Indian girls, in stiff shoes and closely clinging dresses. The small girls wore sleeved aprons and shingled hair. As I walked noiselessly in my soft moccasins, I felt like sinking to the floor, for my blanket had been stripped from my shoulders. I looked hard at the Indian girls, who seemed not to care that they were even more immodestly dressed than I, in their tightly fitting clothes.
Show answer

Correct option: (a). 'Us' refers to the narrator and the Indian boys of her party.

1 marks · mcq

12. Q1. Zitkala-Sa sat down first and then had to 'crawl back' into her chair because (a) she was very hungry (b) she did not understand the bell signals and table manners of the new school (c) the other girls pushed her (d) she was playing a game

While we marched in, the boys entered at an opposite door. I watched for the three young braves who came in our party. I spied them in the rear ranks, looking as uncomfortable as I felt. A small bell was tapped, and each of the pupils drew a chair from under the table. Supposing this act meant they were to be seated, I pulled out mine and at once slipped into it from one side. But when I turned my head, I saw that I was the only one seated, and all the rest at our table remained standing. Just as I began to rise, looking shyly around to see how chairs were to be used, a second bell was sounded. All were seated at last, and I had to crawl back into my chair again.
Show answer

Correct option: (b). She mistook the drawing of chairs for permission to sit; the rules were governed by bells she did not know.

1 marks · mcq

13. Q2. The 'three young braves' who looked 'as uncomfortable as I felt' were (a) white soldiers (b) Indian boys from her own party, equally out of place (c) her brothers (d) teachers at the school

While we marched in, the boys entered at an opposite door. I watched for the three young braves who came in our party. I spied them in the rear ranks, looking as uncomfortable as I felt. A small bell was tapped, and each of the pupils drew a chair from under the table. Supposing this act meant they were to be seated, I pulled out mine and at once slipped into it from one side. But when I turned my head, I saw that I was the only one seated, and all the rest at our table remained standing. Just as I began to rise, looking shyly around to see how chairs were to be used, a second bell was sounded. All were seated at last, and I had to crawl back into my chair again.
Show answer

Correct option: (b). The boys from her Native world shared the same confusion in the disciplined school.

1 marks · mcq

14. Q3. The phrase 'eating by formula' (implied by the bell-regulated meal) suggests that mealtimes were (a) festive and free (b) rigid, mechanical and regulated by signals (c) delicious (d) optional

While we marched in, the boys entered at an opposite door. I watched for the three young braves who came in our party. I spied them in the rear ranks, looking as uncomfortable as I felt. A small bell was tapped, and each of the pupils drew a chair from under the table. Supposing this act meant they were to be seated, I pulled out mine and at once slipped into it from one side. But when I turned my head, I saw that I was the only one seated, and all the rest at our table remained standing. Just as I began to rise, looking shyly around to see how chairs were to be used, a second bell was sounded. All were seated at last, and I had to crawl back into my chair again.
Show answer

Correct option: (b). Every action — drawing chairs, sitting, eating — was controlled by bells.

1 marks · mcq

15. Q4. 'Looking shyly around to see how chairs were to be used' shows the narrator as (a) rude and defiant (b) observant and anxious to learn the unfamiliar code (c) sleepy (d) confident and bored

While we marched in, the boys entered at an opposite door. I watched for the three young braves who came in our party. I spied them in the rear ranks, looking as uncomfortable as I felt. A small bell was tapped, and each of the pupils drew a chair from under the table. Supposing this act meant they were to be seated, I pulled out mine and at once slipped into it from one side. But when I turned my head, I saw that I was the only one seated, and all the rest at our table remained standing. Just as I began to rise, looking shyly around to see how chairs were to be used, a second bell was sounded. All were seated at last, and I had to crawl back into my chair again.
Show answer

Correct option: (b). She watches others carefully because no one explains the rules to her.

1 marks · mcq

16. Q5. The repetition of bell signals in this extract creates a mood of (a) celebration (b) regimentation and the narrator's growing humiliation (c) peaceful routine (d) mystery and adventure

While we marched in, the boys entered at an opposite door. I watched for the three young braves who came in our party. I spied them in the rear ranks, looking as uncomfortable as I felt. A small bell was tapped, and each of the pupils drew a chair from under the table. Supposing this act meant they were to be seated, I pulled out mine and at once slipped into it from one side. But when I turned my head, I saw that I was the only one seated, and all the rest at our table remained standing. Just as I began to rise, looking shyly around to see how chairs were to be used, a second bell was sounded. All were seated at last, and I had to crawl back into my chair again.
Show answer

Correct option: (b). Each bell catches her doing the wrong thing and deepens her embarrassment.

1 marks · mcq

17. Q1. Zitkala-Sa dropped her eyes when she caught the paleface woman watching her because she (a) was proud (b) felt intimidated and self-conscious under the stranger's scrutiny (c) was sleepy (d) wanted to wink

I heard a man's voice at one end of the hall, and I looked around to see him. But all the others hung their heads over their plates. As I glanced at the long chain of tables, I caught the eyes of a paleface woman upon me. Immediately I dropped my eyes, wondering why I was so keenly watched by the strange woman. The man ceased his mutterings, and then a third bell was tapped. Every one picked up his knife and fork and began eating. I began crying instead, for by this time I was afraid to venture anything more.
Show answer

Correct option: (b). Being keenly watched by a strange woman made her nervous and uncomfortable.

1 marks · mcq

18. Q2. The other pupils 'hung their heads over their plates' while the man spoke. This shows that they (a) were asleep (b) had been trained to obey mechanically and not look up (c) were ill (d) disliked the food

I heard a man's voice at one end of the hall, and I looked around to see him. But all the others hung their heads over their plates. As I glanced at the long chain of tables, I caught the eyes of a paleface woman upon me. Immediately I dropped my eyes, wondering why I was so keenly watched by the strange woman. The man ceased his mutterings, and then a third bell was tapped. Every one picked up his knife and fork and began eating. I began crying instead, for by this time I was afraid to venture anything more.
Show answer

Correct option: (b). The bowed heads reveal the strict discipline and regimentation of the school.

1 marks · mcq

19. Q3. 'The man ceased his mutterings, and then a third bell was tapped' — the 'mutterings' of the man at the head of the hall were most likely (a) a scolding (b) a recitation or prayer before eating (c) a song of welcome (d) a roll call

I heard a man's voice at one end of the hall, and I looked around to see him. But all the others hung their heads over their plates. As I glanced at the long chain of tables, I caught the eyes of a paleface woman upon me. Immediately I dropped my eyes, wondering why I was so keenly watched by the strange woman. The man ceased his mutterings, and then a third bell was tapped. Every one picked up his knife and fork and began eating. I began crying instead, for by this time I was afraid to venture anything more.
Show answer

Correct option: (b). The pupils sat with bowed heads as he murmured, as at grace before a meal.

1 marks · mcq

20. Q4. 'I began crying instead, for by this time I was afraid to venture anything more.' The narrator wept because (a) the food was bad (b) confusion after confusion had broken her confidence, and she feared making another mistake (c) she missed breakfast (d) the man shouted at her

I heard a man's voice at one end of the hall, and I looked around to see him. But all the others hung their heads over their plates. As I glanced at the long chain of tables, I caught the eyes of a paleface woman upon me. Immediately I dropped my eyes, wondering why I was so keenly watched by the strange woman. The man ceased his mutterings, and then a third bell was tapped. Every one picked up his knife and fork and began eating. I began crying instead, for by this time I was afraid to venture anything more.
Show answer

Correct option: (b). Sitting when others stood, being watched, not knowing the language — she dared not act at all.

1 marks · mcq

21. Q5. The extract is chiefly concerned with the narrator's (a) joy at the new school (b) helplessness and alienation in an unfamiliar world (c) friendship with the paleface woman (d) success at lessons

I heard a man's voice at one end of the hall, and I looked around to see him. But all the others hung their heads over their plates. As I glanced at the long chain of tables, I caught the eyes of a paleface woman upon me. Immediately I dropped my eyes, wondering why I was so keenly watched by the strange woman. The man ceased his mutterings, and then a third bell was tapped. Every one picked up his knife and fork and began eating. I began crying instead, for by this time I was afraid to venture anything more.
Show answer

Correct option: (b). Every small ritual of the school deepens her sense of not belonging.

1 marks · mcq

22. Q1. According to the narrator's mother, shingled hair was worn among her people by (a) brave warriors (b) unskilled warriors captured by the enemy, and by cowards (c) young girls at school (d) the elders of the tribe

But this eating by formula was not the hardest trial in that first day. Late in the morning, my friend Judewin gave me a terrible warning. Judewin knew a few words of English; and she had overheard the paleface woman talk about cutting our long, heavy hair. Our mothers had taught us that only unskilled warriors who were captured had their hair shingled by the enemy. Among our people, short hair was worn by mourners, and shingled hair by cowards!
Show answer

Correct option: (b). Only unskilled warriors captured had their hair shingled by the enemy, and cowards wore shingled hair.

1 marks · mcq

23. Q2. Among the narrator's people, short hair was worn by (a) mourners (b) chiefs (c) children (d) hunters

But this eating by formula was not the hardest trial in that first day. Late in the morning, my friend Judewin gave me a terrible warning. Judewin knew a few words of English; and she had overheard the paleface woman talk about cutting our long, heavy hair. Our mothers had taught us that only unskilled warriors who were captured had their hair shingled by the enemy. Among our people, short hair was worn by mourners, and shingled hair by cowards!
Show answer

Correct option: (a). 'Among our people, short hair was worn by mourners.'

1 marks · mcq

24. Q3. Judewin's warning was 'terrible' because (a) she spoke in English (b) having her hair shingled would brand the narrator a coward in her own culture (c) the scissors were rusty (d) breakfast had been poor

But this eating by formula was not the hardest trial in that first day. Late in the morning, my friend Judewin gave me a terrible warning. Judewin knew a few words of English; and she had overheard the paleface woman talk about cutting our long, heavy hair. Our mothers had taught us that only unskilled warriors who were captured had their hair shingled by the enemy. Among our people, short hair was worn by mourners, and shingled hair by cowards!
Show answer

Correct option: (b). The haircut meant deep cultural humiliation, not a mere change of style.

1 marks · mcq

25. Q4. Judewin knew of the threatened haircut because she (a) saw the scissors (b) knew a few words of English and had overheard the paleface woman (c) was told by the boys (d) read a notice

But this eating by formula was not the hardest trial in that first day. Late in the morning, my friend Judewin gave me a terrible warning. Judewin knew a few words of English; and she had overheard the paleface woman talk about cutting our long, heavy hair. Our mothers had taught us that only unskilled warriors who were captured had their hair shingled by the enemy. Among our people, short hair was worn by mourners, and shingled hair by cowards!
Show answer

Correct option: (b). She had overheard the paleface woman talking about cutting their long, heavy hair.

1 marks · mcq

26. Q5. The narrator says 'eating by formula was not the hardest trial'. The hardest trial promised to be (a) the marching (b) the cutting of her long hair (c) the stiff shoes (d) the cold dormitory

But this eating by formula was not the hardest trial in that first day. Late in the morning, my friend Judewin gave me a terrible warning. Judewin knew a few words of English; and she had overheard the paleface woman talk about cutting our long, heavy hair. Our mothers had taught us that only unskilled warriors who were captured had their hair shingled by the enemy. Among our people, short hair was worn by mourners, and shingled hair by cowards!
Show answer

Correct option: (b). The coming loss of her hair weighs far more than the mechanical meals.

1 marks · mcq

27. Q1. Zitkala-Sa decided to hide under a bed because (a) she was playing hide and seek (b) she refused to submit to having her hair shingled and would 'struggle first' (c) she was frightened of Judewin (d) she wanted to sleep

We discussed our fate some moments, and when Judewin said, "We have to submit, because they are strong," I rebelled. "No, I will not submit! I will struggle first!" I answered. I watched my chance, and when no one noticed, I disappeared. I crept up the stairs as quietly as I could in my squeaking shoes, — my moccasins had been exchanged for shoes. Along the hall I passed, without knowing whither I was going. Turning aside to an open door, I found a large room with three white beds in it. The windows were covered with dark green curtains, which made the room very dim. Thankful that no one was there, I directed my steps toward the corner farthest from the door. On my hands and knees I crawled under the bed, and huddled myself in the dark corner.
Show answer

Correct option: (b). Answering Judewin's 'We have to submit' with 'I will not submit! I will struggle first!', she hid to resist.

1 marks · mcq

28. Q2. The contrast between Judewin and Zitkala-Sa in this extract is that Judewin was (a) proud and defiant, while Zitkala-Sa was submissive (b) resigned and practical, while Zitkala-Sa was spirited and rebellious (c) older and wiser (d) white, while Zitkala-Sa was Indian

We discussed our fate some moments, and when Judewin said, "We have to submit, because they are strong," I rebelled. "No, I will not submit! I will struggle first!" I answered. I watched my chance, and when no one noticed, I disappeared. I crept up the stairs as quietly as I could in my squeaking shoes, — my moccasins had been exchanged for shoes. Along the hall I passed, without knowing whither I was going. Turning aside to an open door, I found a large room with three white beds in it. The windows were covered with dark green curtains, which made the room very dim. Thankful that no one was there, I directed my steps toward the corner farthest from the door. On my hands and knees I crawled under the bed, and huddled myself in the dark corner.
Show answer

Correct option: (b). Judewin accepted that 'they are strong'; the narrator refused to surrender without a struggle.

1 marks · mcq

29. Q3. 'My moccasins had been exchanged for shoes' — this detail symbolises (a) the forcible replacement of her Native identity with the white man's dress (b) a gift from her mother (c) the cold weather (d) her love of fashion

We discussed our fate some moments, and when Judewin said, "We have to submit, because they are strong," I rebelled. "No, I will not submit! I will struggle first!" I answered. I watched my chance, and when no one noticed, I disappeared. I crept up the stairs as quietly as I could in my squeaking shoes, — my moccasins had been exchanged for shoes. Along the hall I passed, without knowing whither I was going. Turning aside to an open door, I found a large room with three white beds in it. The windows were covered with dark green curtains, which made the room very dim. Thankful that no one was there, I directed my steps toward the corner farthest from the door. On my hands and knees I crawled under the bed, and huddled myself in the dark corner.
Show answer

Correct option: (a). The squeaking shoes that betray her creeping also mark her dispossession.

1 marks · mcq

30. Q4. The room in which she hid contained (a) three white beds, with windows covered by dark green curtains (b) rows of desks (c) the dining tables (d) the kitchen fire

We discussed our fate some moments, and when Judewin said, "We have to submit, because they are strong," I rebelled. "No, I will not submit! I will struggle first!" I answered. I watched my chance, and when no one noticed, I disappeared. I crept up the stairs as quietly as I could in my squeaking shoes, — my moccasins had been exchanged for shoes. Along the hall I passed, without knowing whither I was going. Turning aside to an open door, I found a large room with three white beds in it. The windows were covered with dark green curtains, which made the room very dim. Thankful that no one was there, I directed my steps toward the corner farthest from the door. On my hands and knees I crawled under the bed, and huddled myself in the dark corner.
Show answer

Correct option: (a). She found a large room with three white beds and dim green curtains, and crawled under the bed in the farthest corner.

1 marks · mcq

31. Q5. 'I crept up the stairs as quietly as I could' — her care to be quiet was defeated by (a) the squeaking of her new shoes (b) the bell (c) Judewin's calling (d) the moonlight

We discussed our fate some moments, and when Judewin said, "We have to submit, because they are strong," I rebelled. "No, I will not submit! I will struggle first!" I answered. I watched my chance, and when no one noticed, I disappeared. I crept up the stairs as quietly as I could in my squeaking shoes, — my moccasins had been exchanged for shoes. Along the hall I passed, without knowing whither I was going. Turning aside to an open door, I found a large room with three white beds in it. The windows were covered with dark green curtains, which made the room very dim. Thankful that no one was there, I directed my steps toward the corner farthest from the door. On my hands and knees I crawled under the bed, and huddled myself in the dark corner.
Show answer

Correct option: (a). The shoes her new life forced on her made stealth almost impossible.

1 marks · mcq

32. Q1. When the women and girls found her under the bed, Zitkala-Sa resisted by (a) pleading politely (b) kicking and scratching wildly (c) calling for Judewin (d) running out of the room

From my hiding place I peered out, shuddering with fear whenever I heard footsteps near by. Though in the hall loud voices were calling my name, and I knew that even Judewin was searching for me, I did not open my mouth to answer. Then the steps were quickened and the voices became excited. The sounds came nearer and nearer. Women and girls entered the room. I held my breath and watched them open closet doors and peep behind large trunks. Some one threw up the curtains, and the room was filled with sudden light. What caused them to stoop and look under the bed I do not know. I remember being dragged out, though I resisted by kicking and scratching wildly. Inspite of myself, I was carried downstairs and tied fast in a chair.
Show answer

Correct option: (b). 'I remember being dragged out, though I resisted by kicking and scratching wildly.'

1 marks · mcq

33. Q2. Though loud voices called her name and even Judewin searched for her, the narrator did not answer because (a) she was asleep (b) answering would mean surrendering to the haircut she was determined to resist (c) she could not speak (d) she was angry with Judewin

From my hiding place I peered out, shuddering with fear whenever I heard footsteps near by. Though in the hall loud voices were calling my name, and I knew that even Judewin was searching for me, I did not open my mouth to answer. Then the steps were quickened and the voices became excited. The sounds came nearer and nearer. Women and girls entered the room. I held my breath and watched them open closet doors and peep behind large trunks. Some one threw up the curtains, and the room was filled with sudden light. What caused them to stoop and look under the bed I do not know. I remember being dragged out, though I resisted by kicking and scratching wildly. Inspite of myself, I was carried downstairs and tied fast in a chair.
Show answer

Correct option: (b). Her silence even to her friend shows the strength of her resolve.

1 marks · mcq

34. Q3. The searchers found her when (a) Judewin told them where she was (b) someone threw up the curtains, filling the room with light, and they stooped to look under the bed (c) she sneezed (d) the bell rang

From my hiding place I peered out, shuddering with fear whenever I heard footsteps near by. Though in the hall loud voices were calling my name, and I knew that even Judewin was searching for me, I did not open my mouth to answer. Then the steps were quickened and the voices became excited. The sounds came nearer and nearer. Women and girls entered the room. I held my breath and watched them open closet doors and peep behind large trunks. Some one threw up the curtains, and the room was filled with sudden light. What caused them to stoop and look under the bed I do not know. I remember being dragged out, though I resisted by kicking and scratching wildly. Inspite of myself, I was carried downstairs and tied fast in a chair.
Show answer

Correct option: (b). The room filled with sudden light, and they were led to stoop and look beneath the bed.

1 marks · mcq

35. Q4. 'In spite of myself, I was carried downstairs and tied fast in a chair.' The phrase 'in spite of myself' means (a) with my willing help (b) against my will, by superior force (c) by accident (d) with my friends' support

From my hiding place I peered out, shuddering with fear whenever I heard footsteps near by. Though in the hall loud voices were calling my name, and I knew that even Judewin was searching for me, I did not open my mouth to answer. Then the steps were quickened and the voices became excited. The sounds came nearer and nearer. Women and girls entered the room. I held my breath and watched them open closet doors and peep behind large trunks. Some one threw up the curtains, and the room was filled with sudden light. What caused them to stoop and look under the bed I do not know. I remember being dragged out, though I resisted by kicking and scratching wildly. Inspite of myself, I was carried downstairs and tied fast in a chair.
Show answer

Correct option: (b). Her resistance was crushed by physical force.

1 marks · mcq

36. Q5. Being 'tied fast in a chair' to have her hair cut shows the school's (a) gentleness towards children (b) brutality — treating a small girl as a captive for defending her culture (c) love of order (d) medical care

From my hiding place I peered out, shuddering with fear whenever I heard footsteps near by. Though in the hall loud voices were calling my name, and I knew that even Judewin was searching for me, I did not open my mouth to answer. Then the steps were quickened and the voices became excited. The sounds came nearer and nearer. Women and girls entered the room. I held my breath and watched them open closet doors and peep behind large trunks. Some one threw up the curtains, and the room was filled with sudden light. What caused them to stoop and look under the bed I do not know. I remember being dragged out, though I resisted by kicking and scratching wildly. Inspite of myself, I was carried downstairs and tied fast in a chair.
Show answer

Correct option: (b). The image underlines the violence behind the 'civilising' mission.

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37. Q1. 'Then I lost my spirit' because (a) she was tired after the struggle (b) her braid had been shingled and her resistance had failed completely (c) she missed breakfast (d) the scissors frightened her

I cried aloud, shaking my head all the while until I felt the cold blades of the scissors against my neck, and heard them gnaw off one of my thick braids. Then I lost my spirit. Since the day I was taken from my mother I had suffered extreme indignities. People had stared at me. I had been tossed about in the air like a wooden puppet. And now my long hair was shingled like a coward's! In my anguish I moaned for my mother, but no one came to comfort me. Not a soul reasoned quietly with me, as my own mother used to do; for now I was only one of many little animals driven by a herder.
Show answer

Correct option: (b). With the cold blades against her neck, the humiliation she fought against was complete.

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38. Q2. The narrator compares herself to 'one of many little animals driven by a herder' to convey (a) her loss of individuality and human dignity at the school (b) her love of animals (c) the playground games (d) her mother's kindness

I cried aloud, shaking my head all the while until I felt the cold blades of the scissors against my neck, and heard them gnaw off one of my thick braids. Then I lost my spirit. Since the day I was taken from my mother I had suffered extreme indignities. People had stared at me. I had been tossed about in the air like a wooden puppet. And now my long hair was shingled like a coward's! In my anguish I moaned for my mother, but no one came to comfort me. Not a soul reasoned quietly with me, as my own mother used to do; for now I was only one of many little animals driven by a herder.
Show answer

Correct option: (a). At home her mother reasoned quietly with her; here she was herded without affection or explanation.

1 marks · mcq

39. Q3. The simile 'tossed about in the air like a wooden puppet' expresses (a) how playful the school was (b) how she was handled as an object, without respect for her feelings (c) her skill at dancing (d) a puppet show she watched

I cried aloud, shaking my head all the while until I felt the cold blades of the scissors against my neck, and heard them gnaw off one of my thick braids. Then I lost my spirit. Since the day I was taken from my mother I had suffered extreme indignities. People had stared at me. I had been tossed about in the air like a wooden puppet. And now my long hair was shingled like a coward's! In my anguish I moaned for my mother, but no one came to comfort me. Not a soul reasoned quietly with me, as my own mother used to do; for now I was only one of many little animals driven by a herder.
Show answer

Correct option: (b). The image dehumanises her treatment at the hands of strangers.

1 marks · mcq

40. Q4. The indignities she had suffered since being taken from her mother include being (a) stared at, tossed in the air like a puppet, and now shingled like a coward (b) praised and rewarded (c) fed rich food (d) taught new songs

I cried aloud, shaking my head all the while until I felt the cold blades of the scissors against my neck, and heard them gnaw off one of my thick braids. Then I lost my spirit. Since the day I was taken from my mother I had suffered extreme indignities. People had stared at me. I had been tossed about in the air like a wooden puppet. And now my long hair was shingled like a coward's! In my anguish I moaned for my mother, but no one came to comfort me. Not a soul reasoned quietly with me, as my own mother used to do; for now I was only one of many little animals driven by a herder.
Show answer

Correct option: (a). The list shows a series of humiliations treating her as an object.

1 marks · mcq

41. Q5. 'In my anguish I moaned for my mother, but no one came to comfort me.' The word 'anguish' means (a) mild surprise (b) severe emotional pain (c) hunger (d) laughter

I cried aloud, shaking my head all the while until I felt the cold blades of the scissors against my neck, and heard them gnaw off one of my thick braids. Then I lost my spirit. Since the day I was taken from my mother I had suffered extreme indignities. People had stared at me. I had been tossed about in the air like a wooden puppet. And now my long hair was shingled like a coward's! In my anguish I moaned for my mother, but no one came to comfort me. Not a soul reasoned quietly with me, as my own mother used to do; for now I was only one of many little animals driven by a herder.
Show answer

Correct option: (b). 'Anguish' is agony of spirit, felt here in total abandonment.

1 marks · mcq

42. Q1. The line 'I had already seen, felt, experienced and been humiliated by what it is' refers to (a) the long walk home (b) the practice of untouchability (c) the hardships of school (d) the noise of the bazaar

When I was studying in the third class, I hadn't yet heard people speak openly of untouchability. But I had already seen, felt, experienced and been humiliated by what it is. I was walking home from school one day, an old bag hanging from my shoulder. It was actually possible to walk the distance in ten minutes. But usually it would take me thirty minutes at the very least to reach home. It would take me from half an hour to an hour to dawdle along, watching all the fun and games that were going on, all the entertaining novelties and oddities is the streets, the shops and the bazaar.
Show answer

Correct option: (b). Though Bama had not heard the word used openly, she had already lived and suffered its reality.

1 marks · mcq

43. Q2. Bama's walk home from school, actually possible in ten minutes, usually took (a) half an hour to an hour (b) two minutes (c) half a day (d) exactly ten minutes

When I was studying in the third class, I hadn't yet heard people speak openly of untouchability. But I had already seen, felt, experienced and been humiliated by what it is. I was walking home from school one day, an old bag hanging from my shoulder. It was actually possible to walk the distance in ten minutes. But usually it would take me thirty minutes at the very least to reach home. It would take me from half an hour to an hour to dawdle along, watching all the fun and games that were going on, all the entertaining novelties and oddities is the streets, the shops and the bazaar.
Show answer

Correct option: (a). She would dawdle along for from half an hour to an hour watching the streets.

1 marks · mcq

44. Q3. The delay on the way home was caused by (a) heavy traffic (b) her habit of watching all the fun, games, novelties and oddities of the streets, shops and bazaar (c) the school assembly (d) her mother's orders

When I was studying in the third class, I hadn't yet heard people speak openly of untouchability. But I had already seen, felt, experienced and been humiliated by what it is. I was walking home from school one day, an old bag hanging from my shoulder. It was actually possible to walk the distance in ten minutes. But usually it would take me thirty minutes at the very least to reach home. It would take me from half an hour to an hour to dawdle along, watching all the fun and games that were going on, all the entertaining novelties and oddities is the streets, the shops and the bazaar.
Show answer

Correct option: (b). Every entertaining sight on the route held the curious child's attention.

1 marks · mcq

45. Q4. 'I hadn't yet heard people speak openly of untouchability' suggests that in that society the practice was (a) unknown (b) so woven into daily life that it was not even named openly (c) recently abolished (d) confined to cities

When I was studying in the third class, I hadn't yet heard people speak openly of untouchability. But I had already seen, felt, experienced and been humiliated by what it is. I was walking home from school one day, an old bag hanging from my shoulder. It was actually possible to walk the distance in ten minutes. But usually it would take me thirty minutes at the very least to reach home. It would take me from half an hour to an hour to dawdle along, watching all the fun and games that were going on, all the entertaining novelties and oddities is the streets, the shops and the bazaar.
Show answer

Correct option: (b). Children absorbed its humiliation before they could even articulate it.

1 marks · mcq

46. Q5. The detail that Bama carried 'an old bag hanging from my shoulder' and walked home from the third class shows the narrator is remembering herself as (a) a school-going child of about eight (b) a university student (c) a young teacher (d) a shopkeeper

When I was studying in the third class, I hadn't yet heard people speak openly of untouchability. But I had already seen, felt, experienced and been humiliated by what it is. I was walking home from school one day, an old bag hanging from my shoulder. It was actually possible to walk the distance in ten minutes. But usually it would take me thirty minutes at the very least to reach home. It would take me from half an hour to an hour to dawdle along, watching all the fun and games that were going on, all the entertaining novelties and oddities is the streets, the shops and the bazaar.
Show answer

Correct option: (a). She was studying in the third class when these events took place.

1 marks · mcq

47. Q1. The cyclist in the bazaar had kept pedalling for three days because (a) he was training for a race (b) rupee notes were pinned on to his shirt to spur him on (c) he had lost his way (d) he was being punished

The performing monkey; the snake which the snakecharmer kept in its box and displayed from time to time; the cyclist who had not got off his bike for three days, and who kept pedalling as hard as he could from break of day; the rupee notes that were pinned on to his shirt to spur him on; the spinning wheels; the Maariyaata temple, the huge bell hanging there; the pongal offerings being cooked in front of the temple;
Show answer

Correct option: (b). People pinned rupee notes to his shirt, and he pedalled as hard as he could from break of day.

1 marks · mcq

48. Q2. The extract lists the performing monkey, the snakecharmer's snake, the cyclist, the spinning wheels and the Maariyaata temple in order to show (a) the boredom of village life (b) the lively, colourful spectacle that fascinated the child on her walk (c) the poverty of the villagers (d) the dangers of the street

The performing monkey; the snake which the snakecharmer kept in its box and displayed from time to time; the cyclist who had not got off his bike for three days, and who kept pedalling as hard as he could from break of day; the rupee notes that were pinned on to his shirt to spur him on; the spinning wheels; the Maariyaata temple, the huge bell hanging there; the pongal offerings being cooked in front of the temple;
Show answer

Correct option: (b). The catalogue is the world seen through a child's wondering eyes.

1 marks · mcq

49. Q3. The huge bell mentioned in the extract hung (a) in the school (b) at the Maariyaata temple (c) in the church tower (d) on the cyclist's bicycle

The performing monkey; the snake which the snakecharmer kept in its box and displayed from time to time; the cyclist who had not got off his bike for three days, and who kept pedalling as hard as he could from break of day; the rupee notes that were pinned on to his shirt to spur him on; the spinning wheels; the Maariyaata temple, the huge bell hanging there; the pongal offerings being cooked in front of the temple;
Show answer

Correct option: (b). Pongal offerings were being cooked in front of the Maariyaata temple where the huge bell hung.

1 marks · mcq

50. Q4. The style of this passage — a long list of sights without full sentences — reflects (a) the child's eager, breathless taking-in of everything at once (b) the writer's poor grammar (c) a legal document (d) a lullaby

The performing monkey; the snake which the snakecharmer kept in its box and displayed from time to time; the cyclist who had not got off his bike for three days, and who kept pedalling as hard as he could from break of day; the rupee notes that were pinned on to his shirt to spur him on; the spinning wheels; the Maariyaata temple, the huge bell hanging there; the pongal offerings being cooked in front of the temple;
Show answer

Correct option: (a). The rush of the list mirrors the child's excitement and crowded observation.

1 marks · mcq

51. Q5. The temple and its pongal offerings in the middle of the bazaar scene tell us that the village world was one where (a) religion was banned (b) religious life and everyday commerce mingled in the same streets (c) only traders were allowed (d) the temple was far away

The performing monkey; the snake which the snakecharmer kept in its box and displayed from time to time; the cyclist who had not got off his bike for three days, and who kept pedalling as hard as he could from break of day; the rupee notes that were pinned on to his shirt to spur him on; the spinning wheels; the Maariyaata temple, the huge bell hanging there; the pongal offerings being cooked in front of the temple;
Show answer

Correct option: (b). The cooking offerings and the shops belonged to a single streetscape.

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52. Q1. 'Oh, I could go on and on' suggests that (a) Bama was bored of the bazaar (b) the list of attractions in the bazaar seemed endless (c) the street was too long (d) Bama was in a hurry

the dried fish stall by the statue of Gandhi; the sweet stall, the stall selling fried snacks, and all the other shops next to each other; the street light always demonstrating how it could change from blue to violet; the narikkuravan huntergypsy with his wild lemur in cages, selling needles, clay beads and instruments for cleaning out the ears — Oh, I could go on and on. Each thing would pull me to a stand-still and not allow me to go any further.
Show answer

Correct option: (b). The dried fish stalls, sweet stall, street light and hunter-gypsy were only part of an endless procession of sights.

1 marks · mcq

53. Q2. 'Each thing would pull me to a stand-still and not allow me to go any further.' The expression 'pull me to a stand-still' is (a) personification — the sights act like hands holding the child back (b) a simile (c) an oxymoron (d) a rhetorical question

the dried fish stall by the statue of Gandhi; the sweet stall, the stall selling fried snacks, and all the other shops next to each other; the street light always demonstrating how it could change from blue to violet; the narikkuravan huntergypsy with his wild lemur in cages, selling needles, clay beads and instruments for cleaning out the ears — Oh, I could go on and on. Each thing would pull me to a stand-still and not allow me to go any further.
Show answer

Correct option: (a). Each object is imagined as actively pulling and preventing her from moving on.

1 marks · mcq

54. Q3. The narikkuravan hunter-gypsy sold (a) fruits and vegetables (b) needles, clay beads and instruments for cleaning out the ears (c) coffee and snacks (d) toys

the dried fish stall by the statue of Gandhi; the sweet stall, the stall selling fried snacks, and all the other shops next to each other; the street light always demonstrating how it could change from blue to violet; the narikkuravan huntergypsy with his wild lemur in cages, selling needles, clay beads and instruments for cleaning out the ears — Oh, I could go on and on. Each thing would pull me to a stand-still and not allow me to go any further.
Show answer

Correct option: (b). He carried a wild lemur in cages and sold needles, clay beads and ear-cleaning instruments.

1 marks · mcq

55. Q4. The street light that 'was always demonstrating how it could change from blue to violet' caught the child's attention because (a) it frightened her (b) even an ordinary lamp was a novelty to be watched (c) it showed films (d) it burned her

the dried fish stall by the statue of Gandhi; the sweet stall, the stall selling fried snacks, and all the other shops next to each other; the street light always demonstrating how it could change from blue to violet; the narikkuravan huntergypsy with his wild lemur in cages, selling needles, clay beads and instruments for cleaning out the ears — Oh, I could go on and on. Each thing would pull me to a stand-still and not allow me to go any further.
Show answer

Correct option: (b). To a wondering child, even the changing light was entertainment.

1 marks · mcq

56. Q5. The stalls mentioned at the beginning of the extract stood 'by the statue of Gandhi', a detail that (a) grounds the scene in an Indian town and quietly hints at the caste politics to come (b) shows the narrator disliked Gandhi (c) proves the bazaar was new (d) has no significance

the dried fish stall by the statue of Gandhi; the sweet stall, the stall selling fried snacks, and all the other shops next to each other; the street light always demonstrating how it could change from blue to violet; the narikkuravan huntergypsy with his wild lemur in cages, selling needles, clay beads and instruments for cleaning out the ears — Oh, I could go on and on. Each thing would pull me to a stand-still and not allow me to go any further.
Show answer

Correct option: (a). The statue locates the scene and, against Gandhi's ideal of equality, the caste story that follows gains force.

1 marks · mcq

57. Q1. 'All these sights taken together would tether my legs' — the word 'tether' means (a) to frighten (b) to tie, as an animal is tied (c) to count (d) to wash

At times, people from various political parties would arrive, put up a stage and harangue us through their mikes. Then there might be a street play, or a puppet show, or a "no magic, no miracle" stunt performance. All these would happen from time to time. But almost certainly there would be some entertainment or other going on. Even otherwise, there were the coffee clubs in the bazaar: the way each waiter cooled the coffee, lifting a tumbler high up and pouring its contents into a tumbler held in his other hand. Or the way some people sat in front of the shops chopping up onion, their eyes turned elsewhere so that they would not smart. Or the almond tree growing there and its fruit which was occasionally blown down by the wind. All these sights taken together would tether my legs and stop me from going home.
Show answer

Correct option: (b). The sights held her back as if her legs were tied, because she was so absorbed.

1 marks · mcq

58. Q2. The waiter cooling the coffee did so by (a) adding ice (b) lifting a tumbler high and pouring its contents into a tumbler held in his other hand (c) keeping it in the shade (d) blowing on it

At times, people from various political parties would arrive, put up a stage and harangue us through their mikes. Then there might be a street play, or a puppet show, or a "no magic, no miracle" stunt performance. All these would happen from time to time. But almost certainly there would be some entertainment or other going on. Even otherwise, there were the coffee clubs in the bazaar: the way each waiter cooled the coffee, lifting a tumbler high up and pouring its contents into a tumbler held in his other hand. Or the way some people sat in front of the shops chopping up onion, their eyes turned elsewhere so that they would not smart. Or the almond tree growing there and its fruit which was occasionally blown down by the wind. All these sights taken together would tether my legs and stop me from going home.
Show answer

Correct option: (b). The tumbling pour from a height was one of the small spectacles of the coffee clubs.

1 marks · mcq

59. Q3. People chopping onions 'with their eyes turned elsewhere' so that they 'would not smart' shows the narrator's eye for (a) laziness (b) small, humorous, everyday detail in the bazaar (c) workers' strikes (d) the price of onions

At times, people from various political parties would arrive, put up a stage and harangue us through their mikes. Then there might be a street play, or a puppet show, or a "no magic, no miracle" stunt performance. All these would happen from time to time. But almost certainly there would be some entertainment or other going on. Even otherwise, there were the coffee clubs in the bazaar: the way each waiter cooled the coffee, lifting a tumbler high up and pouring its contents into a tumbler held in his other hand. Or the way some people sat in front of the shops chopping up onion, their eyes turned elsewhere so that they would not smart. Or the almond tree growing there and its fruit which was occasionally blown down by the wind. All these sights taken together would tether my legs and stop me from going home.
Show answer

Correct option: (b). She notices the homely trick of avoiding the sting of onion fumes.

1 marks · mcq

60. Q4. The mention of political harangues, street plays and puppet shows shows the neighbourhood as (a) dull and lifeless (b) bustling, politically and culturally alive (c) strictly disciplined (d) hostile to children

At times, people from various political parties would arrive, put up a stage and harangue us through their mikes. Then there might be a street play, or a puppet show, or a "no magic, no miracle" stunt performance. All these would happen from time to time. But almost certainly there would be some entertainment or other going on. Even otherwise, there were the coffee clubs in the bazaar: the way each waiter cooled the coffee, lifting a tumbler high up and pouring its contents into a tumbler held in his other hand. Or the way some people sat in front of the shops chopping up onion, their eyes turned elsewhere so that they would not smart. Or the almond tree growing there and its fruit which was occasionally blown down by the wind. All these sights taken together would tether my legs and stop me from going home.
Show answer

Correct option: (b). Speeches through mikes, plays, puppet shows and stunts were common public entertainment.

1 marks · mcq

61. Q5. 'A "no magic, no miracle" stunt performance' in the context means (a) a religious festival (b) a performance that openly declared itself free of tricks — an item of street entertainment (c) a magic contest (d) a temple ritual

At times, people from various political parties would arrive, put up a stage and harangue us through their mikes. Then there might be a street play, or a puppet show, or a "no magic, no miracle" stunt performance. All these would happen from time to time. But almost certainly there would be some entertainment or other going on. Even otherwise, there were the coffee clubs in the bazaar: the way each waiter cooled the coffee, lifting a tumbler high up and pouring its contents into a tumbler held in his other hand. Or the way some people sat in front of the shops chopping up onion, their eyes turned elsewhere so that they would not smart. Or the almond tree growing there and its fruit which was occasionally blown down by the wind. All these sights taken together would tether my legs and stop me from going home.
Show answer

Correct option: (b). It was one of the periodic public shows that entertained the bazaar crowd.

1 marks · mcq

62. Q1. The cattle at the threshing floor were muzzled so that (a) they would not be dangerous (b) they would not help themselves to the straw (c) they could be sold later (d) the landlord feared them

And then, according to the season, there would be mango, cucumber, sugar-cane, sweet-potato, palm-shoots, gram, palm-syrup and palm-fruit, guavas and jack-fruit. Every day I would see people selling sweet and savoury fried snacks, payasam, halva, boiled tamarind seeds and iced lollies. Gazing at all this, one day, I came to my street, my bag slung over my shoulder. At the opposite corner, though, a threshing floor had been set up, and the landlord watched the proceedings, seated on a piece of sacking spread over a stone ledge. Our people were hard at work, driving cattle in pairs, round and round, to tread out the grain from the straw. The animals were muzzled so that they wouldn't help themselves to the straw. I stood for a while there, watching the fun.
Show answer

Correct option: (b). 'The animals were muzzled so that they wouldn't help themselves to the straw.'

1 marks · mcq

63. Q2. While 'our people' drove cattle round and round to tread out the grain, the landlord (a) worked beside them (b) sat on sacking spread over a stone ledge, merely watching (c) fed the cattle (d) played with the children

And then, according to the season, there would be mango, cucumber, sugar-cane, sweet-potato, palm-shoots, gram, palm-syrup and palm-fruit, guavas and jack-fruit. Every day I would see people selling sweet and savoury fried snacks, payasam, halva, boiled tamarind seeds and iced lollies. Gazing at all this, one day, I came to my street, my bag slung over my shoulder. At the opposite corner, though, a threshing floor had been set up, and the landlord watched the proceedings, seated on a piece of sacking spread over a stone ledge. Our people were hard at work, driving cattle in pairs, round and round, to tread out the grain from the straw. The animals were muzzled so that they wouldn't help themselves to the straw. I stood for a while there, watching the fun.
Show answer

Correct option: (b). The contrast shows the toiling lower castes and the supervising landlord.

1 marks · mcq

64. Q3. The seasonal list of mango, cucumber, sugar-cane, guavas, jack-fruit and snacks like payasam, halva and iced lollies serves to (a) paint a carefree, abundant childhood world before caste breaks in (b) prove Bama was hungry (c) show a famine (d) list the harvest dues

And then, according to the season, there would be mango, cucumber, sugar-cane, sweet-potato, palm-shoots, gram, palm-syrup and palm-fruit, guavas and jack-fruit. Every day I would see people selling sweet and savoury fried snacks, payasam, halva, boiled tamarind seeds and iced lollies. Gazing at all this, one day, I came to my street, my bag slung over my shoulder. At the opposite corner, though, a threshing floor had been set up, and the landlord watched the proceedings, seated on a piece of sacking spread over a stone ledge. Our people were hard at work, driving cattle in pairs, round and round, to tread out the grain from the straw. The animals were muzzled so that they wouldn't help themselves to the straw. I stood for a while there, watching the fun.
Show answer

Correct option: (a). The cheerful abundance contrasts sharply with the humiliation revealed at the threshing floor.

1 marks · mcq

65. Q4. 'I stood for a while there, watching the fun.' The word 'fun' is significant because it shows (a) the child's innocent, playful gaze before she understands the scene's caste meaning (b) the workers' happiness (c) the landlord's cruelty openly (d) her boredom

And then, according to the season, there would be mango, cucumber, sugar-cane, sweet-potato, palm-shoots, gram, palm-syrup and palm-fruit, guavas and jack-fruit. Every day I would see people selling sweet and savoury fried snacks, payasam, halva, boiled tamarind seeds and iced lollies. Gazing at all this, one day, I came to my street, my bag slung over my shoulder. At the opposite corner, though, a threshing floor had been set up, and the landlord watched the proceedings, seated on a piece of sacking spread over a stone ledge. Our people were hard at work, driving cattle in pairs, round and round, to tread out the grain from the straw. The animals were muzzled so that they wouldn't help themselves to the straw. I stood for a while there, watching the fun.
Show answer

Correct option: (a). She watches as spectacle what she will later read as oppression.

1 marks · mcq

66. Q5. The threshing floor had been set up (a) in front of the school (b) at the opposite corner to her street (c) inside the temple (d) on the beach

And then, according to the season, there would be mango, cucumber, sugar-cane, sweet-potato, palm-shoots, gram, palm-syrup and palm-fruit, guavas and jack-fruit. Every day I would see people selling sweet and savoury fried snacks, payasam, halva, boiled tamarind seeds and iced lollies. Gazing at all this, one day, I came to my street, my bag slung over my shoulder. At the opposite corner, though, a threshing floor had been set up, and the landlord watched the proceedings, seated on a piece of sacking spread over a stone ledge. Our people were hard at work, driving cattle in pairs, round and round, to tread out the grain from the straw. The animals were muzzled so that they wouldn't help themselves to the straw. I stood for a while there, watching the fun.
Show answer

Correct option: (b). 'At the opposite corner, though, a threshing floor had been set up.'

1 marks · mcq

67. Q1. The elder held the packet of vadais by its string, without touching it, because (a) his hands were dirty (b) the vadai was hot (c) he believed that if a lower-caste man touched it, the food would be polluted for the upper-caste landlord (d) he wanted to make the child laugh

Just then, an elder of our street came along from the direction of the bazaar. The manner in which he was walking along made me want to double up. I wanted to shriek with laughter at the sight of such a big man carrying a small packet in that fashion. I guessed there was something like vadai or green banana bhajji in the packet, because the wrapping paper was stained with oil. He came along, holding out the packet by its string, without touching it. I stood there thinking to myself, if he holds it like that, won't the package come undone, and the vadais fall out?
Show answer

Correct option: (c). He carried it so that the food meant for the landlord should not be defiled by his touch.

1 marks · mcq

68. Q2. Bama wanted to 'double up' and 'shriek with laughter' at the sight because (a) the elder was walking in a funny way (b) to her innocent eye a big man carrying a small packet by its string looked absurd (c) the vadais smelled bad (d) the landlord was dancing

Just then, an elder of our street came along from the direction of the bazaar. The manner in which he was walking along made me want to double up. I wanted to shriek with laughter at the sight of such a big man carrying a small packet in that fashion. I guessed there was something like vadai or green banana bhajji in the packet, because the wrapping paper was stained with oil. He came along, holding out the packet by its string, without touching it. I stood there thinking to myself, if he holds it like that, won't the package come undone, and the vadais fall out?
Show answer

Correct option: (b). The child misreads as comedy what is actually humiliating custom.

1 marks · mcq

69. Q3. Bama guessed the packet contained vadai or green banana bhajji because (a) she had cooked it herself (b) the wrapping paper was stained with oil (c) the elder told her (d) it rattled

Just then, an elder of our street came along from the direction of the bazaar. The manner in which he was walking along made me want to double up. I wanted to shriek with laughter at the sight of such a big man carrying a small packet in that fashion. I guessed there was something like vadai or green banana bhajji in the packet, because the wrapping paper was stained with oil. He came along, holding out the packet by its string, without touching it. I stood there thinking to myself, if he holds it like that, won't the package come undone, and the vadais fall out?
Show answer

Correct option: (b). The oil-stained paper was the clue for the sharp-eyed child.

1 marks · mcq

70. Q4. The child's practical worry 'if he holds it like that, won't the package come undone, and the vadais fall out?' is ironic because (a) the vadais did fall (b) she worries about the food while missing the indignity the posture reveals (c) the elder was strong (d) vadais never fall

Just then, an elder of our street came along from the direction of the bazaar. The manner in which he was walking along made me want to double up. I wanted to shriek with laughter at the sight of such a big man carrying a small packet in that fashion. I guessed there was something like vadai or green banana bhajji in the packet, because the wrapping paper was stained with oil. He came along, holding out the packet by its string, without touching it. I stood there thinking to myself, if he holds it like that, won't the package come undone, and the vadais fall out?
Show answer

Correct option: (b). Her innocent logic shows how far she is from understanding the reason.

1 marks · mcq

71. Q5. The manner of the elder's walk is later explained by (a) Annan (b) the landlord (c) her mother (d) the threshing workers

Just then, an elder of our street came along from the direction of the bazaar. The manner in which he was walking along made me want to double up. I wanted to shriek with laughter at the sight of such a big man carrying a small packet in that fashion. I guessed there was something like vadai or green banana bhajji in the packet, because the wrapping paper was stained with oil. He came along, holding out the packet by its string, without touching it. I stood there thinking to myself, if he holds it like that, won't the package come undone, and the vadais fall out?
Show answer

Correct option: (a). Her elder brother explains the caste reason behind the comic spectacle.

1 marks · mcq

72. Q1. Annan was 'not amused' by his sister's story because (a) he did not like vadai (b) he knew the elder's act was not comedy but the humiliation of untouchability (c) he was angry with the elder (d) he had heard it before

The elder went straight up to the landlord, bowed low and extended the packet towards him, cupping the hand that held the string with his other hand. The landlord opened the parcel and began to eat the vadais. After I had watched all this, at last I went home. My elder brother was there. I told him the story in all its comic detail. I fell about with laughter at the memory of a big man, and an elder at that, making such a game out of carrying the parcel. But Annan was not amused. Annan told me the man wasn't being funny when he carried the package like that. He said everybody believed that they were upper caste and therefore must not touch us. If they did, they would be polluted. That's why he had to carry the package by its string.
Show answer

Correct option: (b). He knew the man carried the packet by its string because the upper-caste landlord believed a touch would pollute the food.

1 marks · mcq

73. Q2. Bama told the story 'in all its comic detail' and 'fell about with laughter'. This makes the moment more poignant because (a) her merry retelling contrasts with the grave truth Annan reveals (b) Annan laughed too (c) the landlord was present (d) vadai is a sweet

The elder went straight up to the landlord, bowed low and extended the packet towards him, cupping the hand that held the string with his other hand. The landlord opened the parcel and began to eat the vadais. After I had watched all this, at last I went home. My elder brother was there. I told him the story in all its comic detail. I fell about with laughter at the memory of a big man, and an elder at that, making such a game out of carrying the parcel. But Annan was not amused. Annan told me the man wasn't being funny when he carried the package like that. He said everybody believed that they were upper caste and therefore must not touch us. If they did, they would be polluted. That's why he had to carry the package by its string.
Show answer

Correct option: (a). The gulf between her laughter and his gravity deepens the pathos.

1 marks · mcq

74. Q3. The elder 'bowed low and extended the packet towards him, cupping the hand that held the string with his other hand.' This body language shows (a) respectful service (b) the forced deference and servility demanded of the lower caste (c) a religious salutation (d) that he was tired

The elder went straight up to the landlord, bowed low and extended the packet towards him, cupping the hand that held the string with his other hand. The landlord opened the parcel and began to eat the vadais. After I had watched all this, at last I went home. My elder brother was there. I told him the story in all its comic detail. I fell about with laughter at the memory of a big man, and an elder at that, making such a game out of carrying the parcel. But Annan was not amused. Annan told me the man wasn't being funny when he carried the package like that. He said everybody believed that they were upper caste and therefore must not touch us. If they did, they would be polluted. That's why he had to carry the package by its string.
Show answer

Correct option: (b). An elder of standing had to shrink and bow while handing over a mere snack.

1 marks · mcq

75. Q4. The landlord's response to receiving the vadais was to (a) thank the elder warmly (b) open the parcel and begin to eat the vadais (c) share them with the workers (d) refuse them

The elder went straight up to the landlord, bowed low and extended the packet towards him, cupping the hand that held the string with his other hand. The landlord opened the parcel and began to eat the vadais. After I had watched all this, at last I went home. My elder brother was there. I told him the story in all its comic detail. I fell about with laughter at the memory of a big man, and an elder at that, making such a game out of carrying the parcel. But Annan was not amused. Annan told me the man wasn't being funny when he carried the package like that. He said everybody believed that they were upper caste and therefore must not touch us. If they did, they would be polluted. That's why he had to carry the package by its string.
Show answer

Correct option: (b). He simply opened the parcel and ate, accepting the homage as his due.

1 marks · mcq

76. Q5. According to Annan, 'everybody believed' that (a) vadais were tasty (b) they were upper caste and therefore must not touch them, or they would be polluted (c) the elder was clumsy (d) Bama should not watch the street

The elder went straight up to the landlord, bowed low and extended the packet towards him, cupping the hand that held the string with his other hand. The landlord opened the parcel and began to eat the vadais. After I had watched all this, at last I went home. My elder brother was there. I told him the story in all its comic detail. I fell about with laughter at the memory of a big man, and an elder at that, making such a game out of carrying the parcel. But Annan was not amused. Annan told me the man wasn't being funny when he carried the package like that. He said everybody believed that they were upper caste and therefore must not touch us. If they did, they would be polluted. That's why he had to carry the package by its string.
Show answer

Correct option: (b). The untouchable's very touch was believed to defile the upper caste.

1 marks · mcq

77. Q1. Bama's laughter changed to sadness and anger because (a) Annan scolded her (b) she realised the elder's act was caused by the insult of untouchability (c) she was hungry (d) the landlord was unkind to her

When I heard this, I didn't want to laugh any more, and I felt terribly sad. How could they believe that it was disgusting if one of us held that package in his hands, even though the vadai had been wrapped first in a banana leaf, and then parcelled in paper? I felt so provoked and angry that I wanted to touch those wretched vadais myself straightaway. Why should we have to fetch and carry for these people, I wondered. Such an important elder of ours goes meekly to the shops to fetch snacks and hands them over reverently, bowing and shrinking, to this fellow who just sits there and stuffs them into his mouth.
Show answer

Correct option: (b). Annan's explanation revealed the comic walk as her own community's degradation.

1 marks · mcq

78. Q2. 'I felt so provoked and angry that I wanted to touch those wretched vadais myself straightaway.' The impulse reveals Bama's (a) greed for food (b) instinctive rebellion against an unjust custom (c) hatred of the elder (d) fear of Annan

When I heard this, I didn't want to laugh any more, and I felt terribly sad. How could they believe that it was disgusting if one of us held that package in his hands, even though the vadai had been wrapped first in a banana leaf, and then parcelled in paper? I felt so provoked and angry that I wanted to touch those wretched vadais myself straightaway. Why should we have to fetch and carry for these people, I wondered. Such an important elder of ours goes meekly to the shops to fetch snacks and hands them over reverently, bowing and shrinking, to this fellow who just sits there and stuffs them into his mouth.
Show answer

Correct option: (b). Her childish desire to touch the vadais is spontaneous defiance of the idea of pollution.

1 marks · mcq

79. Q3. 'How could they believe that it was disgusting if one of us held that package in his hands, even though the vadai had been wrapped first in a banana leaf, and then parcelled in paper?' The question Bama raises is about the (a) unreasonableness of the caste belief (b) price of banana leaves (c) quality of the wrapping (d) freshness of the food

When I heard this, I didn't want to laugh any more, and I felt terribly sad. How could they believe that it was disgusting if one of us held that package in his hands, even though the vadai had been wrapped first in a banana leaf, and then parcelled in paper? I felt so provoked and angry that I wanted to touch those wretched vadais myself straightaway. Why should we have to fetch and carry for these people, I wondered. Such an important elder of ours goes meekly to the shops to fetch snacks and hands them over reverently, bowing and shrinking, to this fellow who just sits there and stuffs them into his mouth.
Show answer

Correct option: (a). Even double-wrapped food was believed defiled by an untouchable's touch — a belief she finds absurd.

1 marks · mcq

80. Q4. Calling the landlord 'this fellow who just sits there and stuffs them into his mouth' shows Bama's (a) admiration (b) contempt for a man who does no work yet receives servile homage (c) pity (d) fear

When I heard this, I didn't want to laugh any more, and I felt terribly sad. How could they believe that it was disgusting if one of us held that package in his hands, even though the vadai had been wrapped first in a banana leaf, and then parcelled in paper? I felt so provoked and angry that I wanted to touch those wretched vadais myself straightaway. Why should we have to fetch and carry for these people, I wondered. Such an important elder of ours goes meekly to the shops to fetch snacks and hands them over reverently, bowing and shrinking, to this fellow who just sits there and stuffs them into his mouth.
Show answer

Correct option: (b). She strips him of respectful address just as caste strips her people of dignity.

1 marks · mcq

81. Q5. The pronoun 'they' in 'How could they believe...' refers to (a) Annan and Bama (b) the upper-caste people who held these beliefs (c) the elder's family (d) the school teachers

When I heard this, I didn't want to laugh any more, and I felt terribly sad. How could they believe that it was disgusting if one of us held that package in his hands, even though the vadai had been wrapped first in a banana leaf, and then parcelled in paper? I felt so provoked and angry that I wanted to touch those wretched vadais myself straightaway. Why should we have to fetch and carry for these people, I wondered. Such an important elder of ours goes meekly to the shops to fetch snacks and hands them over reverently, bowing and shrinking, to this fellow who just sits there and stuffs them into his mouth.
Show answer

Correct option: (b). 'They' are those who believed a lower-caste touch pollutes food.

1 marks · mcq

82. Q1. The line 'But we too are human beings' expresses Bama's (a) fear of the landlords (b) assertion that her community deserves equal dignity and respect (c) acceptance of caste (d) desire to become rich

The thought of it infuriated me. How was it that these fellows thought so much of themselves? Because they had scraped four coins together, did that mean they must lose all human feelings? But we too are human beings. Our people should never run these petty errands for these fellows. We should work in their fields, take home our wages, and leave it at that.
Show answer

Correct option: (b). It is a protest against her people being treated as less than human.

1 marks · mcq

83. Q2. 'Because they had scraped four coins together' implies that the landlords' arrogance came from (a) their learning (b) a little wealth, which had made them lose all human feeling (c) royal birth (d) their hard work

The thought of it infuriated me. How was it that these fellows thought so much of themselves? Because they had scraped four coins together, did that mean they must lose all human feelings? But we too are human beings. Our people should never run these petty errands for these fellows. We should work in their fields, take home our wages, and leave it at that.
Show answer

Correct option: (b). A mere 'four coins' of money had made them think so much of themselves.

1 marks · mcq

84. Q3. According to Bama, her people should (a) run petty errands for the landlords (b) work in their fields, take home their wages, and leave it at that (c) leave the village (d) worship the landlords

The thought of it infuriated me. How was it that these fellows thought so much of themselves? Because they had scraped four coins together, did that mean they must lose all human feelings? But we too are human beings. Our people should never run these petty errands for these fellows. We should work in their fields, take home our wages, and leave it at that.
Show answer

Correct option: (b). They should refuse only the degrading errands, not honest labour for wages.

1 marks · mcq

85. Q4. 'The thought of it infuriated me.' The tone of the extract is one of (a) calm reflection (b) angry indignation (c) humorous detachment (d) sorrowful resignation

The thought of it infuriated me. How was it that these fellows thought so much of themselves? Because they had scraped four coins together, did that mean they must lose all human feelings? But we too are human beings. Our people should never run these petty errands for these fellows. We should work in their fields, take home our wages, and leave it at that.
Show answer

Correct option: (b). Words like 'infuriated' and the indignant questions convey controlled fury.

1 marks · mcq

86. Q5. The rhetorical questions 'How was it that these fellows thought so much of themselves?' serve to (a) express Bama's contempt and challenge the landlords' arrogance (b) seek information (c) praise the landlords (d) apologise

The thought of it infuriated me. How was it that these fellows thought so much of themselves? Because they had scraped four coins together, did that mean they must lose all human feelings? But we too are human beings. Our people should never run these petty errands for these fellows. We should work in their fields, take home our wages, and leave it at that.
Show answer

Correct option: (a). The questions are challenges, not genuine enquiries.

1 marks · mcq

87. Q1. The landlord's man asked Annan which street he lived on because (a) he wanted to visit him (b) knowing the street would reveal Annan's caste, since people of different castes lived in separate streets (c) he was looking for a tutor (d) he had lost his way

My elder brother, who was studying at a university, had come home for the holidays. He would often go to the library in our neighbouring village in order to borrow books. He was on his way home one day, walking along the banks of the irrigation tank. One of the landlord's men came up behind him. He thought my Annan looked unfamiliar, and so he asked, "Who are you, appa, what's your name?" Annan told him his name. Immediately the other man asked, "Thambi, on which street do you live?" The point of this was that if he knew on which street we lived, he would know our caste too.
Show answer

Correct option: (b). 'The point of this was that if he knew on which street we lived, he would know our caste too.'

1 marks · mcq

88. Q2. Annan was walking along the banks of the irrigation tank because (a) he was bathing there (b) he was on his way home from the library in the neighbouring village (c) he was working in the fields (d) he was fishing

My elder brother, who was studying at a university, had come home for the holidays. He would often go to the library in our neighbouring village in order to borrow books. He was on his way home one day, walking along the banks of the irrigation tank. One of the landlord's men came up behind him. He thought my Annan looked unfamiliar, and so he asked, "Who are you, appa, what's your name?" Annan told him his name. Immediately the other man asked, "Thambi, on which street do you live?" The point of this was that if he knew on which street we lived, he would know our caste too.
Show answer

Correct option: (b). He had gone to borrow books and was returning home.

1 marks · mcq

89. Q3. Annan was at that time (a) a schoolboy (b) a university student home for the holidays (c) a farmer (d) a shopkeeper

My elder brother, who was studying at a university, had come home for the holidays. He would often go to the library in our neighbouring village in order to borrow books. He was on his way home one day, walking along the banks of the irrigation tank. One of the landlord's men came up behind him. He thought my Annan looked unfamiliar, and so he asked, "Who are you, appa, what's your name?" Annan told him his name. Immediately the other man asked, "Thambi, on which street do you live?" The point of this was that if he knew on which street we lived, he would know our caste too.
Show answer

Correct option: (b). 'My elder brother, who was studying at a university, had come home for the holidays.'

1 marks · mcq

90. Q4. The man addressed Annan as 'appa' and 'Thambi' — seemingly polite terms — while his real purpose was to (a) make friends (b) identify his caste so that distance and contempt could follow (c) invite him to the temple (d) borrow money

My elder brother, who was studying at a university, had come home for the holidays. He would often go to the library in our neighbouring village in order to borrow books. He was on his way home one day, walking along the banks of the irrigation tank. One of the landlord's men came up behind him. He thought my Annan looked unfamiliar, and so he asked, "Who are you, appa, what's your name?" Annan told him his name. Immediately the other man asked, "Thambi, on which street do you live?" The point of this was that if he knew on which street we lived, he would know our caste too.
Show answer

Correct option: (b). The casual, prying inquiry exposes how caste framed every social encounter.

1 marks · mcq

91. Q5. The man thought Annan 'looked unfamiliar', which is why he (a) greeted him silently (b) asked, 'Who are you, appa, what's your name?' (c) reported him to the police (d) offered him work

My elder brother, who was studying at a university, had come home for the holidays. He would often go to the library in our neighbouring village in order to borrow books. He was on his way home one day, walking along the banks of the irrigation tank. One of the landlord's men came up behind him. He thought my Annan looked unfamiliar, and so he asked, "Who are you, appa, what's your name?" Annan told him his name. Immediately the other man asked, "Thambi, on which street do you live?" The point of this was that if he knew on which street we lived, he would know our caste too.
Show answer

Correct option: (b). An unfamiliar face on the tank path had to be placed — and classified.

1 marks · mcq

92. Q1. According to Annan, the way to throw away the indignities of caste was to (a) leave the village (b) earn money like the landlords (c) study hard, make progress and be always ahead in one's lessons (d) fight the landlords

Annan told me all these things. And he added, "Because we are born into this community, we are never given any honour or dignity or respect; we are stripped of all that. But if we study and make progress, we can throw away these indignities. So study with care, learn all you can. If you are always ahead in your lessons, people will come to you of their own accord and attach themselves to you. Work hard and learn." The words that Annan spoke to me that day made a very deep impression on me. And I studied hard, with all my breath and being, in a frenzy almost. As Annan had urged, I stood first in my class. And because of that, many people became my friends.
Show answer

Correct option: (c). 'If we study and make progress, we can throw away these indignities.'

1 marks · mcq

93. Q2. 'If you are always ahead in your lessons, people will come to you of their own accord and attach themselves to you.' Annan's words suggest that (a) achievement forces society to look beyond caste (b) friendship cannot be earned (c) study is useless (d) teachers are kind

Annan told me all these things. And he added, "Because we are born into this community, we are never given any honour or dignity or respect; we are stripped of all that. But if we study and make progress, we can throw away these indignities. So study with care, learn all you can. If you are always ahead in your lessons, people will come to you of their own accord and attach themselves to you. Work hard and learn." The words that Annan spoke to me that day made a very deep impression on me. And I studied hard, with all my breath and being, in a frenzy almost. As Annan had urged, I stood first in my class. And because of that, many people became my friends.
Show answer

Correct option: (a). Excellence would win the honour that birth denied them.

1 marks · mcq

94. Q3. Bama acted on her brother's advice by (a) forgetting his words (b) studying hard, 'with all my breath and being, in a frenzy almost' (c) running away to the city (d) quarrelling with the teachers

Annan told me all these things. And he added, "Because we are born into this community, we are never given any honour or dignity or respect; we are stripped of all that. But if we study and make progress, we can throw away these indignities. So study with care, learn all you can. If you are always ahead in your lessons, people will come to you of their own accord and attach themselves to you. Work hard and learn." The words that Annan spoke to me that day made a very deep impression on me. And I studied hard, with all my breath and being, in a frenzy almost. As Annan had urged, I stood first in my class. And because of that, many people became my friends.
Show answer

Correct option: (b). The words made a deep impression and she studied with fierce intensity.

1 marks · mcq

95. Q4. As a result of standing first in her class, (a) the landlords apologised (b) many people became her friends (c) she left school (d) she was punished

Annan told me all these things. And he added, "Because we are born into this community, we are never given any honour or dignity or respect; we are stripped of all that. But if we study and make progress, we can throw away these indignities. So study with care, learn all you can. If you are always ahead in your lessons, people will come to you of their own accord and attach themselves to you. Work hard and learn." The words that Annan spoke to me that day made a very deep impression on me. And I studied hard, with all my breath and being, in a frenzy almost. As Annan had urged, I stood first in my class. And because of that, many people became my friends.
Show answer

Correct option: (b). 'I stood first in my class. And because of that, many people became my friends.'

1 marks · mcq

96. Q5. Annan's counsel — that being born into the community stripped them of honour, but progress could restore it — carries the extract's central message that (a) caste is unchangeable (b) education and merit can restore the dignity denied by birth (c) money is everything (d) silence is best

Annan told me all these things. And he added, "Because we are born into this community, we are never given any honour or dignity or respect; we are stripped of all that. But if we study and make progress, we can throw away these indignities. So study with care, learn all you can. If you are always ahead in your lessons, people will come to you of their own accord and attach themselves to you. Work hard and learn." The words that Annan spoke to me that day made a very deep impression on me. And I studied hard, with all my breath and being, in a frenzy almost. As Annan had urged, I stood first in my class. And because of that, many people became my friends.
Show answer

Correct option: (b). His advice shapes the writer's life and the memoir's lesson.

2 marks · short

97. Q1. Why does Zitkala-Sa call her first day in the "land of apples" a bitter-cold one, both literally and otherwise?

Show answer

Literally, snow still covered the ground and the trees were bare. Otherwise, the day was bitter because of the harsh noises, the unknown tongue, the loss of her blanket and her freedom — the school felt like a bedlam in which she was securely tied.

2 marks · short

98. Q2. Why did Zitkala-Sa feel more immodestly dressed than the other Indian girls?

Show answer

Her blanket had been stripped from her shoulders, and in her culture the blanket was her proper covering. Walking without it made her feel exposed and ashamed, even though the other girls in their tightly fitting clothes were, by her standards, even more immodestly dressed.

2 marks · short

99. Q3. What is meant by "eating by formula" in the story?

Show answer

"Eating by formula" refers to the rigid, mechanical routine of the school dining room, where every act — drawing out chairs, sitting, beginning to eat — was regulated by the tapping of bells. Zitkala-Sa, new to these rules, sat and rose at the wrong moments and was deeply embarrassed.

2 marks · short

100. Q4. What warning did Judewin give to Zitkala-Sa, and why was it "terrible"?

Show answer

Judewin, who knew a few words of English, had overheard the paleface woman talking about cutting their long, heavy hair. It was terrible because, among their people, shingled hair was worn by cowards and by captured, unskilled warriors, so the haircut meant a deep humiliation.

2 marks · short

101. Q5. How did Zitkala-Sa try to save her hair from being cut?

Show answer

She declared, "No, I will not submit! I will struggle first!" When no one noticed her, she disappeared, crept upstairs, entered a dim room with three white beds and crawled under a bed in the farthest dark corner, hiding even though voices, including Judewin's, called her name.

2 marks · short

102. Q6. How was Zitkala-Sa finally forced to submit to the haircut?

Show answer

Women and girls searched the room and dragged her out from under the bed, though she resisted by kicking and scratching wildly. She was carried downstairs and tied fast in a chair, and the cold blades of the scissors gnawed off one of her thick braids.

2 marks · short

103. Q7. Why does Zitkala-Sa moan for her mother after her hair is shingled?

Show answer

She had suffered extreme indignities since being taken from her mother — being stared at, tossed about like a wooden puppet, and now shingled like a coward's. She longed for her mother's comfort because no one at the school reasoned quietly with her or showed her any kindness.

2 marks · short

104. Q8. What did the exchange of moccasins for squeaking shoes symbolise in Zitkala-Sa's life?

Show answer

The soft moccasins of her Native culture had been replaced by stiff white shoes, showing that the school stripped away every sign of her identity. Even in her moment of escape the shoes squeaked, a constant reminder that her old life had been forcibly taken from her.

2 marks · short

105. Q9. Why had Bama not yet "heard people speak openly of untouchability" although she had felt its sting?

Show answer

She was only in the third class, too young to have the practice named and explained to her. Yet she had already seen, felt, experienced and been humiliated by untouchability in daily life, showing how the discrimination surrounded children even when no one spoke of it.

2 marks · short

106. Q10. How did Bama's ten-minute walk home from school stretch into an hour?

Show answer

She would dawdle along, watching the performing monkey, the snakecharmer's snake, the pedalling cyclist, the street plays and puppet shows, the coffee clubs, the seasonal fruit sellers and countless other novelties. Each thing would pull her to a stand-still and tether her legs.

2 marks · short

107. Q11. What did Bama find so funny about the elder who came from the direction of the bazaar?

Show answer

The elder was a big man, yet he held out a small packet of vadai or bhajji by its string, without touching it. To Bama it looked like a comic game — she wondered whether the package would come undone and the vadais fall out — and she wanted to shriek with laughter.

2 marks · short

108. Q12. Why did the elder carry the packet by its string and hand it over with bowed head?

Show answer

The packet contained vadai for the landlord. Since the upper-caste landlord believed that his food would be polluted if a person of Bama's community touched it, the elder carried the packet only by its string and extended it reverently, bowing low.

2 marks · short

109. Q13. How did Bama react when she learnt the truth behind the elder's behaviour?

Show answer

Her laughter died and she felt terribly sad. She felt so provoked and angry that she wanted to touch those wretched vadais herself straightaway, and wondered why her people should fetch and carry for the landlords at all.

2 marks · short

110. Q14. What question did the landlord's man ask Annan, and what was its real purpose?

Show answer

Walking along the banks of the irrigation tank, the man asked Annan his name and then on which street he lived. His real purpose was to discover Annan's caste, since knowing the street — where the lower-caste people lived — would reveal it.

2 marks · short

111. Q15. What advice did Annan give Bama about study, and why?

Show answer

Annan said that because they were born into their community, they were never given honour, dignity or respect; but if they studied and made progress, they could throw away these indignities. He urged her to work hard, stay ahead in her lessons, and win the regard that caste denied them.

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112. Q16. How did Annan's words change Bama's attitude to her studies?

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His words made a very deep impression on her. She studied hard, with all her breath and being, in a frenzy almost, and as he had urged she stood first in her class — and because of that, many people became her friends.

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113. Q17. Why does Bama wonder whether having "scraped four coins together" entitled the landlords to lose all human feelings?

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She cannot accept that mere possession of a little money and land justifies the landlords' arrogance and inhumanity towards her people. Her question challenges the idea that wealth makes some people superior and robs them of ordinary human feeling for others.

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114. Q18. What does the title "We Too are Human Beings" suggest?

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The title is a protest against the treatment of her community as less than human. It asserts that Dalits, who are made to bow, shrink and keep their distance, have the same human feelings, dignity and rights as the upper castes.

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115. Q19. What kind of discrimination does Zitkala-Sa's experience depict, as distinct from Bama's?

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Zitkala-Sa's experience depicts racial and cultural discrimination — a Native American child being forced to give up her hair, dress, language and customs in a white boarding school. Bama's experience depicts caste-based untouchability rooted in the Indian social order.

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116. Q20. What common chord runs through both autobiographical episodes in "Memories of Childhood"?

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Both are accounts of child protagonists from marginalised communities who suffer humiliation at the hands of a dominant culture — Zitkala-Sa through forced shingling of her hair, Bama through untouchability — and both respond with anger, resistance and a lifelong struggle for dignity.

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117. Q1. How does Zitkala-Sa use images of imprisonment throughout "The Cutting of My Long Hair"?

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The imagery of captivity runs from the very first paragraph, where the noises of the school form "a bedlam within which I was securely tied." Her spirit "tore itself in struggling for its lost freedom." Later she hides under a bed, is dragged out "kicking and scratching wildly," carried downstairs and "tied fast in a chair." Finally she is "only one of many little animals driven by a herder." These images turn the school into a prison and the girl into a captive, showing how completely the institution enslaved her body and crushed her spirit.

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118. Q2. Describe Zitkala-Sa's experience of her first breakfast at the school.

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Marching into the dining room behind a paleface woman, she felt ashamed because her blanket had been stripped from her shoulders. Not knowing the bell signals, she pulled out her chair and sat at once, only to find she was the only one seated, and had to crawl back after a second bell. She was watched by a paleface woman while the others hung their heads. When a third bell was tapped, everyone began eating, but she began crying, afraid to venture anything more. The "eating by formula" thus reduced her to tears on her very first day.

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119. Q3. "And though my spirit tore itself in struggling for its lost freedom, all was useless." How does the whole story bear out the truth of this line?

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The line, spoken of the noisy bedlam of the first morning, foreshadows everything that follows. Zitkala-Sa's whole stay at the school is one long, losing struggle. She resists the shingling of her hair with all her might — refusing to submit, hiding under a bed in a dark corner, refusing to answer even Judewin's calls, and kicking and scratching when discovered. Yet she is dragged out, tied to a chair and shorn like a coward's. The struggle of her spirited resistance is finally crushed by superior force, proving the opening line prophetic.

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120. Q4. Why was the cutting of hair such a grave matter for Zitkala-Sa, while it may seem trivial to others?

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To an outsider a haircut is an ordinary act, but for Zitkala-Sa hair carried the deepest meanings of her culture. Her mothers had taught her that only unskilled warriors who were captured had their hair shingled by the enemy; among her people short hair was worn by mourners and shingled hair by cowards. Having her thick braids cut was therefore to be publicly branded a coward and a captive. It was also the final indignity in a series — being stared at, tossed about like a puppet — since she was taken from her mother, which is why she fought so fiercely before submitting.

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121. Q5. How does the author bring out the contrast between Zitkala-Sa's life with her mother and her life at the school?

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At home, her mother "reasoned quietly" with her and comforted her; at the school "not a soul" did so, and she was "only one of many little animals driven by a herder." Her soft moccasins and blanket were exchanged for squeaking shoes and clinging dresses. Her long hair, worn with pride, was shingled like a coward's. In her anguish she moaned for her mother, but no one came. The contrast shows the warmth and individual dignity of her Native home set against the cold regimentation and cruelty of the institution.

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122. Q6. What does the episode of the three bells and the dining-room routine reveal about the school system Zitkala-Sa entered?

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The system was one of rigid discipline and mechanical conformity. Every action was controlled by bells — one to draw chairs, a second to be seated, a third to pick up knife and fork — while the pupils hung their heads over their plates and were keenly watched by paleface women. No one explained anything to the new girl; she was expected to absorb the "formula" by mere observation. The routine reveals an institution aimed at erasing the children's own ways and drilling them into unquestioning obedience to white customs.

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123. Q7. Bama's narrative moves from delight to disgust within a single walk home. Trace this movement.

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The walk begins in pure delight: the performing monkey, the snakecharmer, the cyclist pedalling with rupee notes pinned to his shirt, the pongal offerings, the street plays, the coffee clubs and the seasonal fruits all tether her legs. She reaches her street "watching the fun" at the threshing floor. Then she sees the elder carrying the packet by its string and wants to shriek with laughter. But after Annan explains the truth of untouchability, she does not want to laugh any more; she feels terribly sad, provoked and angry. The same walk that began as comedy ends as a lesson in caste cruelty.

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124. Q8. How does the incident of the vadai packet open Bama's eyes to untouchability?

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As a third-class child, Bama had seen and felt untouchability but had never had it named for her. When she sees the elder holding out the oily packet by its string, she reads it only as comedy. Annan's grave explanation — that the upper-caste landlord believed their touch would pollute the food — transforms the scene from fun into humiliation. In that moment, laughter dies, sadness and anger are born, and Bama understands, consciously, the ugly reality that had surrounded her all along.

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125. Q9. What picture of the caste system emerges from "We Too are Human Beings"?

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The extract shows untouchability operating at every level. Socially, the elder must carry food by its string so the landlord is not "polluted" by his touch, and must bow and shrink while handing it over. Economically, Bama's people labour on the landlords' threshing floors and run petty errands for them. Spatially, the very street a person lives on reveals his caste, as the landlord's man's questioning of Annan shows. Spiritually, an entire community is "stripped of all" honour, dignity and respect simply because of birth. The system degrades work, worship and human relations alike.

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126. Q10. Why does Bama describe the elderly man's behaviour as making "such a game" of carrying the parcel, and how does this childish view sharpen the satire?

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To the child, the big elder carefully extending a tiny packet by its string, cupping one hand with the other, looks exactly like a comic performance — she even worries the vadais will fall out. The childish misreading is itself the satire: the "game" is deadly serious servility forced by caste. When the reader later learns the truth along with Bama, the same comic details — the string, the oil-stained paper, the bowed head — turn into a bitter indictment of untouchability, showing how absurd and inhuman the custom actually is.

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127. Q11. How does Annan's encounter with the landlord's man on the tank bund illustrate the working of caste even among strangers?

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Annan, a university student home for the holidays, is walking back from the library when the landlord's man, finding him unfamiliar, asks his name and then which street he lives on. The apparently polite questions — "appa," "Thambi" — are really a caste test: the street would at once reveal his low caste and decide how he must be treated. The episode shows that in that society a person's address was a label, and even a stranger needed to place a man's caste before knowing how to behave with him.

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128. Q12. "But if we study and make progress, we can throw away these indignities." How does this statement of Annan reflect the central hope of Bama's narrative?

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Annan's words give the story its affirmative direction. Born into a community stripped of honour, dignity and respect, Bama is told that education and progress can help her throw away these indignities, since people will come of their own accord to one who is ahead in her lessons. The hope is not in protest or revolt but in personal excellence. Bama takes the advice to heart, studies "with all my breath and being, in a frenzy almost," stands first in her class, and wins friends — showing how knowledge becomes a weapon against caste humiliation.

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129. Q13. Compare the ways in which the two child narrators respond to the humiliation they experience.

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Zitkala-Sa responds with immediate, physical rebellion: she refuses to submit, hides under a bed in a dark corner, will not answer even Judewin, and kicks and scratches wildly as she is dragged out. Her resistance is fierce but is crushed by force, leaving her spirit broken. Bama, a much younger child, first responds with innocent laughter, then — once Annan explains — with sadness and burning anger, and an impulse to touch the "wretched vadais" in defiance. Her rebellion is emotional and mental, and is finally channelled, through Annan's guidance, into education and achievement. One resists with her body, the other with her mind and her pen.

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130. Q14. Both narratives are told from a child's point of view. What effects does this choice create?

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The child's perspective lets each writer show injustice before understanding it. Zitkala-Sa's account of bells, chairs and blankets makes the school's cruelty feel immediate and bewildering, and her fierce little rebellion more moving. Bama's delighted catalogues of the bazaar and her laughter at the elder make the later revelation of untouchability strike with double force, as comedy turns to pain. In both, the innocent eye exposes the absurdity and inhumanity of the systems — racism and caste — far more tellingly than an adult's argument could, because the reader sees the wound being inflicted in real time.

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131. Q15. How do the two episodes justify the observation that "the seeds of rebellion are sown early in life"?

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Both narrators are children when injustice first marks them, and both carry its lesson for life. Zitkala-Sa's refusal — "No, I will not submit! I will struggle first!" — shows a spirit that would later, as her introduction tells us, dedicate itself to criticising the Carlisle school and fighting oppression. Bama's anger at the vadai incident and her frenzy of study, inspired by Annan, grow into the pen that wrote Karukku against caste. Neither forgets the childhood humiliation; in both cases the early experience of injustice becomes the seed of lifelong rebellion and creative resistance.

5 marks · broad

132. Q1. Both Zitkala-Sa and Bama are victims of discrimination, but the forms of discrimination differ. Compare the two experiences.

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Zitkala-Sa, a Native American child in a white boarding school, suffers racial and cultural oppression. Her soft moccasins and blanket are taken away, her long hair — the pride of her people, worn short only by mourners and shingled only by cowards and captured warriors — is cut by force, and she is drilled through bells into the white man's "formula" of living. Bama, a Tamil Dalit child, suffers caste-based untouchability in her own village: an elder of her street must carry vadai to the landlord by its string because his touch is believed to pollute, and a man's caste can be read from the street he lives on. The first oppression is imposed by a foreign institution that seeks to erase her culture; the second is woven into the everyday social and economic life of her own community, where her people labour in the landlords' fields and run their petty errands. Yet both are degrading to the same degree — each child is made to feel less than human, and each responds with anger and lifelong resistance. The commonality of theme is the humiliation of the marginalised and the child's awakening protest against it.

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133. Q2. Draw a character sketch of Zitkala-Sa as revealed in "The Cutting of My Long Hair."

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Zitkala-Sa emerges as a spirited, sensitive and courageous child. Her sensitivity appears in her acute response to the school's bedlam of noises, her shame when her blanket is stripped from her shoulders, and her tears at the breakfast table when she is "afraid to venture anything more." Her attachment to her roots is seen in her comparison of the school with her mother's gentle ways of reasoning, and in her knowledge that shingled hair marks a coward or a captive. Her courage is the heart of the narrative: unlike the resigned Judewin, she declares "No, I will not submit! I will struggle first!", hides under a bed in a dark corner, refuses to answer even Judewin's calls, and kicks and scratches wildly when dragged out. Even in defeat, her anguish — moaning for her mother, feeling like "one of many little animals driven by a herder" — is the anguish of a proud spirit, not a broken one. The child who fought the scissors grew into the woman who publicly criticised the Carlisle school and fought oppression.

5 marks · broad

134. Q3. "The thought of it infuriated me." Describe Bama's feelings on understanding the truth about the elder and the vadai packet, and what they tell us about her.

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Bama's feelings pass through three distinct stages. First comes innocent amusement: seeing a big man, and an elder at that, holding out a small packet by its string "in that fashion," she wants to "double up" and "shriek with laughter," and she retells the story to Annan in all its comic detail, falling about with laughter. Then, at Annan's explanation — that the upper-caste landlord believed their touch would pollute the food — her laughter dies. She feels "terribly sad," unable to grasp how a vadai wrapped in banana leaf and paper could be considered disgusting merely because one of her people held it. Finally comes fierce anger: she feels "so provoked" that she wants to touch the wretched vadais herself straightaway, and wonders why her people should fetch and carry for these fellows at all. The progression shows her essential qualities — a joyous, observant innocence; the capacity to feel her community's humiliation as her own; and an instinctive, rebellious sense of justice. The fury of that childhood moment is the seed of the writer Bama became, for whom discrimination demanded not acceptance but lifelong protest.

5 marks · broad

135. Q4. How does education emerge as the instrument of empowerment in Bama's narrative? Support your answer with details from the text.

Show answer

In Bama's world, birth into a "low" community meant being "stripped of all" honour, dignity and respect — her people bowed and shrank before landlords, carried snacks by their strings, and were identified by the caste of their streets. Annan's counsel reverses this helplessness: because they are born into the community they are denied respect, but "if we study and make progress, we can throw away these indignities." He urges her to "study with care, learn all you can," promising that if she is always ahead in her lessons, people will come to her of their own accord and attach themselves to her. Annan himself embodies this truth — a university student who borrows books from a neighbouring village's library, he reads his world clearly and converts his sister's anger into direction. The advice works exactly as foretold: Bama studies "with all my breath and being, in a frenzy almost," stands first in her class, and many people become her friends. The episode thus presents education as the one ladder out of caste humiliation — transforming the child who wanted to touch the vadais in defiance into the student whose excellence compels the respect that caste withheld.

5 marks · broad

136. Q5. "Injustice in any form cannot escape being noticed even by children." Discuss this statement with reference to both episodes in "Memories of Childhood."

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Both narratives prove that a child registers injustice long before it can name it. Zitkala-Sa, on her very first day, feels the wrong done to her in every sense: the noises of the school make "a bedlam within which I was securely tied," her stripped blanket makes her feel immodest, the formula of bells reduces her to tears, and the threatened haircut is instantly understood as a mark of cowards and captives. She may not have the vocabulary of racism, but she knows her freedom is gone and her spirit "tore itself" in struggle. Bama, likewise, had not "yet heard people speak openly of untouchability," yet she "had already seen, felt, experienced and been humiliated by what it is." The vadai incident makes this explicit: comedy turns to grief and fury the moment the child grasps what the elder's bowed submission means. In both cases the children notice, resist and remember — Zitkala-Sa with kicking and scratching, Bama with her fury to touch the vadais and her frenzy of study. Childhood injustice thus becomes the seed of adult rebellion.

5 marks · broad

137. Q6. What values do you learn from the two episodes, and how are they relevant today?

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The episodes teach the dignity of every human being, the evil of discrimination, and the courage to resist it. From Zitkala-Sa we learn self-respect rooted in one's own culture — she resists the erasure of her identity, crying "No, I will not submit! I will struggle first!", and her refusal to accept humiliation quietly shows that pride is worth defending even in defeat. From Bama and Annan we learn that anger at injustice must be converted into constructive action: Annan's advice to "study with care, learn all you can," and Bama's response of studying "with all my breath and being," show that education and excellence are the most lasting answers to prejudice. Both narratives also teach empathy — the pain of being treated as "little animals driven by a herder" or as a polluting touch is a pain no child should bear. These values remain relevant wherever racism, casteism or any discrimination persists: the lesson is to see every community as fully human — "we too are human beings" — to refuse to be complicit in others' humiliation, and to build a society based on dignity and equal respect.

5 marks · broad

138. Q7. Imagine you are Annan. Write a letter to your younger sister Bama summarising your advice and the reasons behind it.

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My dear Bama, I could see how terribly sad and angry you were after I told you why that elder had to carry the vadai packet by its string. I was the same when I first understood it, so let me tell you what I have come to believe. Because we are born into this community, people will never give us honour or dignity or respect of their own accord; we are stripped of all that. Do you remember how the landlord's man stopped me near the tank and asked which street I live in? He only wanted to know our caste — that is how deep this habit runs in people. But I have also learnt that if we study and make progress, we can throw away these indignities. So study with care, learn all you can. If you are always ahead in your lessons, people will come to you of their own accord and attach themselves to you — I have seen it happen. Do not let your anger burn you up in useless quarrels; turn it into your books instead. We should not have to bow and shrink before anyone, and the day will come when we will not need to. Work hard and learn, and make our whole people proud. Your loving Annan.

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