Ila Sachani: Embroidering Dreams with her Feet Questions & Answers | Class 6 English | CBSE NCERT

(b) — The opening lines place Moti Vavdi village in Bhavnagar, Gujarat.

(c) — The text says she is very good at Kathiawar embroidery, a style that needs a lot of skill.

(b) — A big smile suggests a happy, welcoming person despite her challenges.

needle

The visitor will see lots of bright colours and many lovely things like cushions, bedcovers, pillows and more, all decorated with beautiful designs. All these are made by Ila Sachani herself.

They tell us that Ila is a talented and hardworking artist. Her skill fills even a tiny room with beauty, colour and creativity.

(c) — Her journey began in "the quiet settings of Amreli, Gujarat."

(b) — The text says she was born with her hands hanging loose by her sides.

(b) — She was born into a farmer's family.

a chalk

The other children drew figures in the sand and plucked wild flowers with their small hands. Ila could not use her hands in the usual way, so she could only watch them and wonder why she could not join them.

She must have felt sad, lonely and left out, because she too wanted to hold a chalk and draw figures on a slate. At the same time, her longing shows how much she wished to do the things others did.

(b) — Her mother and grandmother were skilled in the art and decided to share it with her.

(b) — She was taught to create patterns "using her feet!"

(c) — The word glossary explains single-minded as 'focused'; they had one aim — to help Ila.

True — the text says her parents helped her learn to do things with her legs, like eating and combing her hair.

It was certainly not an easy task, but Ila accepted the challenge with determination. She worked at it bravely instead of giving up.

Her mother and grandmother were themselves skilled in Kathiawar embroidery, so they could teach her the family's own traditional art. It was also an art that could be done sitting still, using the feet, which suited Ila.

(b) — The text says, "Threading a needle was hard, but Ila did not give up."

(a) — "Her younger brother and sister helped her too."

(b) — She learned many styles, "even ones from outside Gujarat—Kachhi, Kashmiri, Lucknawi and others."

young

The line shows Ila's determination and will power. Even when a task was very difficult, she kept trying until she became an expert at a young age.

It was special because these styles belonged to other regions of India, far from her home in Gujarat. Learning them showed that Ila did not stop at one tradition — she grew as an artist by mastering many kinds of embroidery.

(b) — The text states, "For Ila, embroidery became a way to express herself."

(c) — At first she crafted designs "only for her family and friends."

(c) — The word glossary explains awestruck as 'amazed'.

village

Her family and friends were awestruck by her talent and talked about her designs to others. Soon the village people also discovered her special skill, and admiration for her work began to spread.

Since Ila could not speak about her feelings through writing or other handwork, her designs became her language. Through colours, patterns and stitches made by her feet, she could share her ideas, feelings and creativity with the world.

(b) — Word reached the government office in Surat, and they decided to display her work.

(a) — The text says they "were moved by Ila's story and impressed by her work."

(b) — The exhibition brought her recognition, buyers and future chances.

feet

People observed the beauty woven by her feet and readily purchased her creations. They appreciated her art so much that Ila was no longer a hidden talent, but famous.

The exhibition was the first time her work was shown to a wide public audience. It was here that people beyond her village saw her embroidery, bought it, and made her famous, opening new doors for her future.

(c) — She participated "not just within the state but at the national level."

(c) — She received awards "not just for her art but also the willpower and creativity that her work showed."

(b) — She became "a celebrated artist and receiver of the President's Medal."

False — she was a farmer's daughter from Amreli who faced a tough challenge from birth.

The extract describes her journey from being a farmer's daughter facing a tough challenge to becoming a celebrated artist. Through hard work she rose from village fame to national recognition and received the President's Medal.

Her achievements were extraordinary because she created award-winning art with her feet instead of her hands. The awards therefore honoured not only the beautiful embroidery but also the courage, determination and imagination behind it.

(b) — "The most important change for Ila was the new independence."

(b) — She "not only earned a regular income but also found joy in doing what she loved."

(a) — The text lists exactly these qualities.

physical

It means that the difficulties a person faces can become the very reason for their success. Ila turned her greatest challenge — not being able to use her hands — into her victory by becoming a celebrated artist using her feet.

Ila's story teaches me that no difficulty is too big if I have focus, hard work, positivity and the will to never give up. Instead of complaining about a problem, I should find a creative way around it. (Any thoughtful personal response is acceptable.)

Ila lives in a tiny room in Moti Vavdi village, Bhavnagar, Gujarat. The room is full of bright colours and lovely things like cushions, bedcovers and pillows with beautiful designs made by her.

Kathiawar embroidery is a traditional art that Ila's mother and grandmother were skilled in. It is a style of embroidery that needs a lot of skill, which Ila mastered using her feet.

Ila was born in the quiet settings of Amreli, Gujarat. She was born into a farmer's family.

Ila was born with her hands hanging loose by her sides. Unlike other children, she could not use her hands in the usual way.

She wanted to hold a chalk in her hands and draw figures on a slate. She watched others draw figures in the sand and pluck wild flowers and wondered why she could not join them.

They were single-minded about helping her overcome her challenge. Being skilled in Kathiawar embroidery, they taught Ila to create many beautiful patterns using her feet.

Her parents helped her learn to do things with her legs, like eating and combing her hair. This made her more independent in daily life.

Threading a needle was hard for Ila. She did not give up, practised with determination, and became an expert at a young age.

Ila learned the Kachhi, Kashmiri and Lucknawi styles, among others. These were styles from outside Gujarat.

Embroidery became a way for Ila to express herself. Through her designs she could share her feelings and creativity with others.

At first, she crafted fine designs only for her family and friends. They were awestruck by her talent and talked about her designs to others.

Word about Ila and her embroidery reached the government office in Surat. They were moved by her story and impressed by her work.

They decided to display some samples of her embroidery at a state exhibition. This experience opened new doors for Ila and made her famous.

People observed the beauty woven by her feet and readily purchased her creations. Ila was no more a hidden talent, but famous.

Encouraged by her popularity, she participated in more exhibitions at the national level. She received many awards and honours for her art, willpower and creativity.

Ila Sachani received the President's Medal. She became a celebrated artist through her hard work and determination.

The most important change was her new independence. Through her skill she earned a regular income and found joy in doing what she loved.

Focus, hard work, positivity and never giving up. Ila proved this through her creations.

Her embroidery, created with her feet, reminds us that art has the power to rise above physical boundaries and touch the soul.

I would like to have Ila's determination, because it helped her turn her biggest weakness into her greatest strength. With that quality, I could face any difficulty in my studies and life without giving up. (Any quality with a valid reason is acceptable.)

Ila was born into a farmer's family in the quiet settings of Amreli, Gujarat. From birth, her hands hung loose by her sides, so she could not use them in the usual way. While other children drew figures in the sand or plucked wild flowers, Ila could only watch and wonder why she could not join them. She too wanted to hold a chalk and draw figures on a slate, but her body would not allow it.

Ila's mother and grandmother were single-minded about helping her overcome her challenge. Since they were skilled in Kathiawar embroidery, they taught her to create beautiful patterns using her feet. Her parents also helped her learn to do everyday things with her legs, like eating and combing her hair. Later, her younger brother and sister helped her as well. Thus the whole family stood by Ila and turned her weakness into strength.

First, Ila learned Kathiawar embroidery with her feet from her mother and grandmother and became an expert at a young age. She made designs for her family and friends, who praised her to others, and soon the whole village admired her skill. Word then reached the government office in Surat, which displayed her embroidery at a state exhibition. The exhibition opened new doors — people bought her creations and she became famous. Encouraged by this popularity, she took part in national exhibitions, won many awards and honours, and finally received the President's Medal.

Before the exhibition, Ila was a hidden talent known mainly to her family, friends and village. The state exhibition put her work before a much larger audience, where people observed the beauty woven by her feet and readily purchased her creations. This made her famous, gave her confidence, and opened new doors for her career. It was the turning point that led her to national exhibitions and the President's Medal.

This line means that embroidery became Ila's language of the heart. Because she could not use her hands, she could not do the writing, drawing and handwork that other children did. But with her needle held by her feet, she could create colours, patterns and designs that showed her feelings and imagination. Every piece of embroidery was a way of telling the world who she was and what she felt.

The awards recognised that Ila's embroidery was extraordinary not only because it was beautiful, but because of how it was made. Creating fine stitches with the feet requires immense willpower, patience and imagination. Her work proved that a person whom fate had denied the use of her hands could still produce award-winning art. The honours therefore celebrated the artist's spirit as much as the artwork itself.

These lines mean that true art is not limited by the body of the artist or by any physical disability. Ila could not use her hands, yet her feet created embroidery so beautiful that it moved everyone who saw it. Her art reached straight into people's hearts and souls, proving that the power of art is greater than any physical limitation.

Through her embroidery, Ila earned a regular income of her own and found joy in doing what she loved. She no longer had to depend on others for her needs, and she gained respect and an identity as an artist. This was the most important change because money and fame fade in comparison to self-reliance — the freedom to live on one's own terms and one's own earnings.

Three things made her positive attitude possible. First, the support of her family — her mother, grandmother, parents, and her younger brother and sister — encouraged her at every step instead of pitying her. Second, she had a way to express herself through embroidery, which gave her purpose and confidence. Third, her own inner qualities — focus, hard work, positivity and the resolve to never give up — kept her going even when threading a needle was hard.

Ila's story shows that a challenge is not the end of the road but a call to find a new path. People with difficulties can learn from her that focus, hard work, positivity and never giving up can turn challenges into victories. Her life also teaches families and society to support such people with encouragement instead of pity. Whenever a person feels like giving up, remembering Ila's journey from a village room to the President's Medal can give them fresh hope and courage.

Ila's journey began in the quiet settings of Amreli, Gujarat, where she was born into a farmer's family with her hands hanging loose by her sides. As a child, she watched others draw figures in the sand and pluck wild flowers, and wondered why she could not join them. Her mother and grandmother, skilled in Kathiawar embroidery, taught her to create beautiful patterns using her feet, and her parents helped her learn to eat and comb her hair with her legs. Threading a needle was hard, but she did not give up and became an expert at a young age, learning styles from outside Gujarat too, such as Kachhi, Kashmiri and Lucknawi. Her family and friends were awestruck by her talent, and soon the whole village admired her work. Word reached the government office in Surat, which displayed her embroidery at a state exhibition, where people readily purchased her creations. Encouraged by this popularity, she took part in national exhibitions, won many awards and honours, and became a celebrated artist and receiver of the President's Medal. Her journey teaches us that with focus, hard work, positivity and never giving up, any challenge can be turned into a victory.

The central message of the biography is that challenges can be turned into victories with focus, hard work, positivity and never giving up — a truth that Ila proved through her own creations. The text supports this message at every stage of her life. Though she was born with her hands hanging loose by her sides, she learned Kathiawar embroidery using her feet. Though threading a needle was hard, she did not give up and became an expert at a young age. Though she began by crafting designs only for family and friends, her talent slowly won first the village, then the state, and finally the nation, bringing her awards and the President's Medal. Her life gained a new independence through her skill — a regular income and the joy of doing what she loved. The closing lines sum up the message: her embroidery, created with her feet, reminds us that art has the power to rise above physical boundaries and touch the soul.

In Ila's life, the support of her family was the foundation of all her success. When Ila was born with her hands hanging loose by her sides, her mother and grandmother did not lose hope; they were single-minded about helping her overcome her challenge. Since they were skilled in the traditional art of Kathiawar embroidery, they shared this art with Ila and taught her to create beautiful patterns using her feet. Her parents also helped her learn to do everyday things with her legs, like eating and combing her hair, which made her independent in daily life. Her younger brother and sister helped her too, especially when she was mastering difficult tasks like threading a needle. It was this loving and patient support that gave Ila the confidence to accept the challenge with determination. Without her family's encouragement, her talent might have remained hidden; with it, she rose to become a celebrated artist and receiver of the President's Medal. The family's role teaches us that encouragement can change a person's whole destiny.

Ila's life teaches us many lasting values. First, determination: though threading a needle was hard, she did not give up and became an expert at a young age. Second, hard work: she practised many styles, even ones from outside Gujarat such as Kachhi, Kashmiri and Lucknawi, until her art was flawless. Third, positivity: instead of despairing over her challenge, she accepted it and found joy in doing what she loved. Fourth, courage and self-belief: she displayed her work at state and national exhibitions and faced the public without fear. Fifth, gratitude and sharing: the biography shows her making designs first for family and friends, returning their love with her art. Finally, the value of independence: she earned a regular income through her own skill and lived with dignity. All these values are summed up in the text's own words — that challenges can be turned into victories with focus, hard work, positivity and never giving up.

Students can apply Ila's lessons in many practical ways. First, whenever we find a subject or a skill difficult — like Ila found threading a needle — we should keep practising instead of giving up, remembering that she became an expert at a young age through sheer persistence. Second, we can learn to look at our weaknesses creatively: Ila could not use her hands, so she used her feet; similarly, if we cannot do a task one way, we can find another way instead of quitting. Third, we can learn to support others as her family supported her — encouraging a classmate who struggles, rather than teasing or pitying them. Fourth, we can develop our talents, like Ila's embroidery, into a way of expressing ourselves and even earning a livelihood later in life. Fifth, we can stay positive in hard times, believing that challenges can be turned into victories with focus, hard work, positivity and never giving up. In these ways, Ila's story can guide students every single day.

(A model report) Artist Whose Feet Weave Magic — Moti Vavdi, Bhavnagar. In a tiny room bursting with bright colours, I met Ila Sachani, a wonderful lady with a big smile who stitches dreams with her feet. Cushions, bedcovers and pillows with beautiful designs lie all around her, each one created with a shiny needle held between her toes. Ila told me that she was born into a farmer's family in Amreli with her hands hanging loose by her sides. While other children drew figures in the sand, she wondered why she could not join them. Her mother and grandmother, skilled in Kathiawar embroidery, taught her to create patterns with her feet, and her parents helped her eat and comb her hair with her legs. Threading a needle was hard, but she never gave up. Today, after state and national exhibitions, awards and the President's Medal, she is no more a hidden talent, but famous. Through her skill she has earned a regular income and, more importantly, the joy of doing what she loves. Before I left, she gave me the message she lives by: challenges can be turned into victories with focus, hard work, positivity and never giving up. Her embroidery, created with her feet, proves that art has the power to rise above physical boundaries and touch the soul.

Ila's story is indeed a lesson for the whole of society, not just an account of one brave woman. At first, society's usual response is visible in her childhood — while other children drew figures in the sand and plucked wild flowers, she was left watching from the sidelines, wondering why she could not join them. The turning point came when her family refused to treat her as helpless: her mother and grandmother taught her Kathiawar embroidery, her parents taught her daily living skills, and her brother and sister helped her practise. Their method was not pity but training — they gave her tools, not sympathy. Society at large then played its part: her village admired her work, the government office in Surat was moved by her story and displayed her embroidery at a state exhibition, and the nation honoured her with awards and the President's Medal. The lesson is clear — people with challenges do not need our sorrow; they need our encouragement, opportunities and respect. If every family, school and office responds like Ila's family and the government office did, many more hidden talents would become famous, and their art would rise above physical boundaries and touch all our souls.